Текст книги "Haunted"

Автор книги: Jeanne Stein

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Текущая страница: 7 (всего у книги 18 страниц)

CHAPTER 20

ONCE THE CHUG AND GURGLE OF THE OLD PERCOLATOR stops, Ramon pulls tin cups down from the back of one of the cabinets. When he looks over at Max and me, offering us mugs, we both hold up our hands in gestures of refusal. He pours two steaming mugs and he and Culebra gulp them down.

No reservation there about drinking the coffee.

The smell dissuaded me and I have the constitution of a—well, a vampire.

Culebra and Ramon have a brief conversation while they drink, after which Max, who understood, says to me, “Better get some rest. We’re starting out at first light.”

There are no beds, cots or even rugs in the barely furnished cabin. Luckily, I’m not high maintenance. Mimicking the others, I sink to the floor, lean my back against the wall and close my eyes. I let the human Anna relax, but leave vampire on alert.

Culebra’s hint that Ramon may not be entirely trustworthy lingers in my head. Along with Max’s earlier comment about Ramon showing up to either warn Culebra about some danger or to kill him. I should have asked Culebra how Ramon found him. Had he kept in touch with his “old friend”? Ramon told his story with an emotional intensity that rang true, but I’ve told a few lies in my time. The best lies always ring true.

I pass the night in that kind of half sleep that floats on the surface of consciousness; the mind drifting but not letting go, the senses alert for the slightest stirring of physical movement from inside or outside the cabin.

Not very restful. When dawn finally shows itself in pink ribbons through chinks in the walls, it’s a relief. I look over at Max, and from the bleary-eyed way he meets my gaze, I’d guess he’s been awake all night, too.

Ramon climbs to his feet first and makes for the door. Culebra and Max follow. From the sounds I pick up, they each make for a different corner around the outside of the cabin to relieve themselves.

Sometimes having super hearing is not such a blessing.

But because I have to pretend to be human, once they’re back, I head out. My system absorbs any kind of liquid directly into my bloodstream. There’s nothing to excrete but I wait a few minutes, shifting restlessly from one foot to the other, then rejoin them. Culebra gives me a sly smile and I roll my eyes.

Ramon makes another pot of coffee. I’m antsy to get going. I would think he would be, too. But no one questions it and after he and Culebra consume another pot, and Max and I have finished off two more bottles of water, we’re at last trudging toward the Jeep.

Ramon once more takes the driver’s seat, Culebra beside him. Max and I climb into the back.

In the daylight, I see the river in dappled silver glimpses through the brushes and trees to our right. We are following its pathway west, away from Reynosa. While there is more vegetation along the riverbank, the smell of desert heat and abandonment is strong. We pass several cabins in various stages of decay, as if one by one, their owners left for—what?

There’s not much in this part of Mexico. Perhaps they moved closer to Reynosa. Or braved the currents of the Rio Grande to forge a new life across the border.

We continue to follow the river for two hours, a hot winter sun rising high in the sky. The humidity from the river and the desert heat combine to make the air so thick, you could drink it with a straw. Swarms of insects buzz around our heads. Ramon and Max are covered with a patina of sweat, attracting more insects. They alternate between swatting at them and wiping sweat out of their eyes.

Only Culebra and I are impervious to the swarm. Even mosquitoes refrain from biting a vampire—professional courtesy, I guess. I didn’t realize shape-shifters had the same immunity.

I’m about to ask how much farther when Ramon brakes sharply, the Jeep skidding to a halt. He jumps out, grabs a heavy looking tree branch that has fallen near the trail and gives a tug. It pulls away, revealing an opening in the brush. He motions to Culebra to drive the Jeep through, pushing the branch into place when we’re on the other side. Then he climbs back into the driver’s seat and we’re off-roading it through terrain even rougher than before.

I grab the roll bar to keep from bouncing out. Low-hanging branches pull and scrape at us, ruts as big across as tree trunks launch the Jeep airborne, then send it crashing back down to earth. I’ve jammed my jaws so tightly closed, my teeth ache. It’s either that or take a chance they’ll break with the jarring. I need my teeth. Don’t know if there are vampire dentists. Every muscle in my body is drawn tight as a vise. When I look over at Max, he’s got both hands around the roll bar. He looks a little green, like he may be getting carsick.

I don’t say anything. If he’s going to lose it, I don’t want him looking in my direction.

Only Ramon seems oblivious to the Jeep’s wild careening. His jaw is set, his eyes stare straight ahead. He’s a man on a mission to save his family. I can’t fault him for that.

I only wish I knew where the hell we were going.

We’re not parallel to the river anymore. Gradually, the brush gets sparser, the ground more rocky. We start on an uphill climb. Low-growing bushes are crushed under the wheels of the Jeep, releasing the sweet smell of sage and musky scent of mesquite. The air becomes dryer, but not cooler. Max sheds his jacket, exposing the gun on his hip. Comfort wins over concealment.

We wind our way up and around a small hill.

“Where are we?” I ask Max.

“Somewhere I’ve never been before,” he says. “The edges of the Chihuahuan Desert? Shit, I don’t know. Even the banditos don’t venture this far from civilization.”

Culebra half turns in his seat. “We’re almost there. Ramon chose the location for his safe house well.”

Ramon ignores our conversation. White-knuckled hands gripping the wheel, his eyes focused straight ahead. I can only imagine what images are playing in his head. No matter how isolated a spot he chose, the fear that it wasn’t isolated enough must be torturing him.

The ground levels off and we seem to be at the top of a mesa. There are a few trees here, oak and pinyon. Native grasses and low-growing creosote with lacy light green leaves, Yucca and mesquite cover the desert floor. Quite a difference from the more barren desert surrounding Beso de la Muerte.

Ramon is driving straight toward what looks, from my vantage point in the backseat, like the edge of the mesa. What the fuck? I get struck by a disturbing thought. What if Culebra was wrong and rather than going to help Ramon’s family, Ramon is driving us all to oblivion. The Thelma and Louiseway out. Maybe he made a deal to swap the safety of his family for his life and Culebra’s.

I grip the roll bar tighter. I can grab Max and haul us both out before the Jeep goes over, but I can’t grab Culebra, too.

I send out a frantic warning. Culebra, I think he’s going over the edge. Get ready to jump out.

Culebra’s thoughts reflect alarm. I grab Max’s arm. He turns toward me, his eyebrows raised. At the moment I’ve tightened my grip, ready to fling us both out, the Jeep slams to a stop.

Max’s breath rushes out in a hiss. “What the fuck, Ramon?”

My sentiments exactly.

Ramon turns in the seat, surprise and confusion stamped on his face. He sees me grasping Max’s arm and interprets Culebra’s hand on the window as preparation for a bailout. He says something to Culebra in Spanish with a bewildered inflection in his voice that even I can interpret.

Max shakes out of my grip and starts to rub at his bicep. “Ouch. Next time you get the bright notion that we need to jump out of a moving vehicle, ask questions first, okay? Ramon just told Culebra that we’re here. His family’s safe house. Just over that bluff.”

CHAPTER 21

OKAY, SO I GOT IT WRONG. TO HIDE MY EMBARRASSMENT, and because anger is my normal way of dealing with being embarrassed, I lash out.

“Shit, Max, I thought he was driving us over the rim. You did, too.”

“Not until you grabbed me. What made you think he was going kamikaze on us?”

“Oh, maybe the fact that he was driving straight for the edge. And that it occurred to me he might have made a deal with Santiago. His family’s safety in exchange for his life and Culebra’s.”

Culebra half turns in his seat but before he can say anything, Ramon jumps out of the Jeep. He heads for a patch of brush that becomes camouflage netting when he pulls at it. He motions to Max and Culebra. “Ayúdeme.”

Max and Culebra join him. The three men grab the netting and pull it over the Jeep. It’s sand colored and dotted with bits of rock and brush. Ramon anchors it with more rocks and stands back to brush dirt from his hands. He glances at his watch.

“Vengan conmigo,”he says.

And runs straight toward the edge of the mesa. In an instant, bickering forgotten, Culebra, Max and I take off after him.

Ramon disappears just as we catch up. Like an optical illusion, the trail that looks, from the way Ramon vanished, like a steep drop-off actually levels off, hugging the side of a hill. It takes standing at the very brink to see that we’re not looking at precipitous drop at all. Ramon is running ahead.

We plunge after him. Ramon moves with purpose. I catch up with him, eyes scanning, senses alert. I don’t see anything that looks remotely like a house. Just a lot of brush and boulders. Once again, I wonder if Ramon isn’t leading us into a trap.

Then I catch the scent. Human. Female. Somewhere off the trail.

Ramon calls out. “Maria! Gabriella!”

From around a bend in front of us, a woman’s voice answers. “¿Ramon? ¿Es tu?”

And then Ramon and a woman are embracing. She appeared from the side of the trail like an apparition but there’s nothing ghostly in the way she clings to her husband or he to her. Culebra and Max catch up.

When the woman sees Culebra, her hand flies to her mouth. “¿Tomás?”

And then she is hugging Culebra and crying and she, Ramon and Culebra are speaking all at once and so fast, the words are a blur in my head. She is darker than Ramon, sculpted cheekbones that are more Indian than Spanish. She is short, heavy hipped and stocky, dressed in a white shirt and jeans cinched at the waist with a wide leather belt. She has a big revolver in a holster clipped to her belt.

Max and I stand apart and watch. It’s apparent she was waiting for Ramon—was this why he didn’t want to start out last night? They had a prearranged time to meet? It would explain his crazy dash across the countryside.

Another movement from just out of sight to our right snaps me to attention. Max sees the reaction. “What is it?”

Before I can reply, another voice.

“¿Papa? Has vuelto para nosotros.”

The words come from a girl, fourteen or fifteen, who steps into the path. She has a rifle slung over her shoulder. Her face is hidden by the wide brim of a hat she sweeps off at the sight of her father.

Ramon opens his arms to embrace the girl. “¿Tu prometí que, no, mi preciosa?”

Ramon hadn’t mentioned having a daughter but clearly this girl is his. She inherited his hair color and eyes, his slender build. She’s tall for her age and dressed like her mother in jeans, a white blouse.

Her mother watches, arms still around Culebra, her expression, her tears reflecting relief. Ramon turns his wife and daughter to face Max and me.

“This is my wife, Maria, and my daughter, Gabriella.” To them he says, “Son amigos de Tomás. Ilegaron para ayudarnos. Anna y Max.”

Max and I nod to them as Maria gestures for us to follow. She glances upward and I hear the drone of an aircraft in the distance. Ramon hears it, too, and his expression hardens. “Come. Quickly. It may be one of Santiago’s.”

Maria and the girl lead the way off the trail and into dense brush. There are low-growing bushes and pinyon pines that make the going slow. But they also provide solid cover. The airplane passes overhead and Max watches it through a canopy of branches. “No markings. Ramon might be right.”

“Are they looking for him?” I ask.

“Could be. Or it could be a drug run.”

Maria keeps going. Ramon catches up to his wife and daughter and takes the lead. We trek on for another twenty minutes before he stops. There is a small clearing just ahead with the remains of another abandoned cabin. I look around. The last time I remember seeing a more isolated piece of land was on a Navajo reservation. At least there, the natural beauty of Monument Valley made the isolation tolerable. Here, the emptiness presses in like deadweight. I’m overwhelmed with a sense of loneliness. This is where Ramon’s wife and daughter are forced to hide?

But neither Ramon nor his wife or daughter seems to mind. They are smiling as Ramon bids us once more to follow him with a crook of a finger. We enter a door sagging precariously in a lopsided frame. He motions us to step around a pocked wooden table set in the middle of the floor. He reaches under the rim of the table and I hear the release of a lock. Then the hum of a motor. The table tilts down and away like a trapdoor to reveal a set of steps.

Maria and Gabriella lead the way down. Ramon and Culebra follow, then Max and me. I raise curious eyebrows to Max. “What the fuck?”

But we’re at the bottom of the steps and as soon as Ramon sees we’re down, he presses a button on a panel to his right beside yet another door. The motor hums again and the table flips upright and the platform once more snaps into place.

“Slick,” I whisper to Max. “What now?”

Ramon is working the lock on the door. It’s a keypad lock and his fingers move quickly over the numbers. But not quickly enough. I imagine he has no idea I’ve just memorized the combination. One can never be too careful.

The door swings open with a whoosh of pneumatics. Refrigerated air gusts out at us—fresh and smelling like spring. Lights flicker on, turning the inside bright as day. Ramon steps aside to allow his wife and daughter to pass, and then extends a hand to Culebra, Max and me.

“Welcome to my home.”

A whistle escapes my lips at the same time a gasp of astonishment escapes Max’s.

“Holy James Bond,” I say. “Dr. No didn’t have it this good.”

CHAPTER 22

MAX, CULEBRA AND I ARE STANDING IN THE ENTRANCE to a cave. Well, more precisely, a cave-like structure. The walls are stone, but hewn stone, smoothed and beveled into diamond patterns that repeat floor, ceiling and walls. The chamber we’re looking into is at least as big as the ground floor of my cottage, decorated with leather couches and big overstuffed recliners. There are plush rugs underfoot, original artwork on the walls, a bar of polished mahogany in the corner upon which rests crystal decanters filled with liquids that catch and reflect the lights directly overhead. On the opposite side, through an archway, I can see a kitchen and dining area. It’s a big kitchen, with stainless-steel appliances and copper-bottomed pots hung from a rack suspended over a granite island. I look for a chef in a white hat and smock, but it appears that’s the only detail missing in this Architectural Digest’s version of Wilma Flintstone’s kitchen.

It’s very quiet inside. So quiet, I wonder if I’m the only one who hears the distant, steady hum of a generator, so subtle it takes concentrating vampire hearing to detect it. That generator must be what supplies air and power to the place. Like a heart pumping blood and oxygen through a body.

Even Culebra is dumbstruck. His thoughts are as jumbled as mine.

Ramon moves to the bar. Picks up one of the decanters. “Mescal?”

It takes a minute to pull my brain back from the shock of what my eyes are seeing and to engage it again sufficiently to make my mouth work. “Yeah. A drink would be good.” Then my legs get with the program and I’m at the bar.

Culebra and Max follow, both looking as dazed as I feel. Ramon pours from a crystal decanter with the label Scorpion Anejo Seven Star—I realize he’s pouring the Dom Pérignon of mescals when I see the scorpion floating in the bottle and the flicker of eagerness in Culebra’s eyes.

When we all have glasses in our hands, Ramon tips his toward us and says, “Para todo mal, mezcal, y para todo bien también.”

Yeah, I’ve heard that toast before—from Culebra at his bar: for everything bad, mescal, and for everything good, too. Course we weren’t drinking Scorpion Seven Star at the time.

We all clink glasses and the men drink. I’m more interested in taking another look at my surroundings than indulging in the rapturous moans of pleasure that follow the tasting. It’s hard to take it all in.

“How did you do this?” I ask.

Ramon says, “With a lot of money and an army of engineers.” He raises his glass to Max and me. “American engineers.”

“How did you keep it a secret?” Max asks.

“With a lot of money,” Ramon says again, “and a little coercion.”

“You threatened the engineers if they told anyone?” I ask.

He shrugs. “Didn’t take much. Everyone has something to protect. And they were well paid for their discretion.”

“But this must have taken an army to construct,” I say. “No one noticed?”

He smiles. Not warmly. “Silence has a price. Fortunately I could afford to pay it.”

For a narco, business as usual. I get a queasy feeling in the pit of my stomach. I acted on impulse coming here. Ramon, standing in his elegant hideout, looks less like a father frightened for his family and more like the scumbag drug lord he is. Even his English has improved. Was his original bumbling an affect to gain my sympathy?

I lay the glass on the bar without taking a sip. “What now?”

Maria gestures toward the back wall of the cave. “Let me show you where to freshen up. Then we eat.”

So she can speak English, too. And well.

We follow Maria through an archway and into a hall. There are four doors, two on each side. She opens the last one on the left for me. “There are fresh towels. Shower if you like. I think Gabriella has something that will fit you. I’ll leave it on the bed.”

Then she’s ushering Max and Culebra to the opposite door. I watch as they disappear inside and Maria moves off down the hall. I close my own door and look around, checking first to see if there’s an inside lock. There isn’t.

This is a bedroom with the same diamond-patterned rock walls, ceiling and floor as the great room. This room, too, sports a plush rug, a woven mat of cotton this time, but no artwork. The bed is simple, covered with a colorful Mexican blanket, the headboard banked with throw pillows in red and yellow. There is a dresser on one side, a chest at the foot of the bed.

Both are empty.

I take a quick look around for cameras or microphones but don’t find either. There is neither wainscoting nor floorboards to conceal electronics.

I step into the bathroom. Small. Functional. A shower, a vanity, a toilet. This door locks from the inside. I close and lock it before undressing.

After two days, a shower feels good. Maria has stocked the shower with good soap and shampoo. It smells of trees after a rain, like a growing forest with hints of pine. The bathroom is soon fragrant with it. I linger under the hot water before realizing I’ve been in here almost twenty minutes and the hot water is still hot. Ramon must have a hell of a water heater.

The best drug money can buy. Which most likely explains how they keep the place supplied with liquor and good toiletries. I imagine engineers aren’t the only ones who can keep a secret for a price or a threat.

When I finally coax myself out, I towel dry and peek into the vanity. There are various types of remedies, for headaches, for colds. A comb and brush that looks unused. Several toothbrushes still in packages. A tube of toothpaste—Colgate. American. I take advantage of the chance to brush my teeth and use the comb and brush to detangle my hair. Then I steal a look into the bedroom.

Maria has left a long shift of pale green cotton on the bed. I slip it over my head. It falls to my ankles. It moves when I walk; the material is whisper soft and thin. I wonder if I look naked in the light. The thought makes me uncomfortable enough to take it off.

My jeans and T-shirt will have to do—even if they aren’t the cleanest.

I hear the door open across the hall. In two steps, I’m at my door, too.

Max and Culebra are there, smelling of the same fragrant soap, freshly shaven, wet hair combed. They’ve changed into clean jeans (must be Ramon’s—they are all about the same size, though Max’s thighs clearly strain the seams of his pair) and lightweight Mexican guayabera shirts with colorful embroidery and pleating. Culebra’s is light gray, Max’s a blue that makes his eyes intense as the ocean.

Culebra looks past me into the bedroom. “Maria didn’t bring you clean clothes?”

I follow his eyes to the shift on the bed. “I think it’s a nightgown,” I reply.

He grunts.

Max grins, looking around me, too. “Too girly for you?”

I close the door behind me with a decisive click.

Max sniffs the air. “Something smells good.”

He lifts his nose and moves toward the great room, following the odor of meat and beans and grilled vegetables like a bloodhound on the scent of a rabbit. He heads straight for the kitchen, Culebra right on his heels.

Only I lag behind.

The table seats eight and is set with plates and utensils and a steaming stack of tortillas. There are three chairs in the same heavy dark wood as the table on one side, a long bench on the other, and two captain’s chairs on each end. Ramon is already seated in one of the chairs, watching Maria as she moves around the kitchen. He has showered and changed, too, as has Maria. Still, the shower hasn’t completely masked the smell coming off both Ramon and his wife. They’ve been busy in the last hour—and not just in the kitchen. The musk of their sex tickles my nose.

Maria looks up and sees us approaching. She frowns in a concerned way at me. “You didn’t like the dress?”

I grope for a way to answer when Max pipes up, “Anna’s not big on skirts. She’s more the pants type.”

Shit. He says it with a wink and I see clearly on both Ramon’s and Maria’s faces what they’re thinking. I’m gay.

Maria recovers before Ramon. “I see. No problem. After we eat, I’ll get you a pair of Gabriella’s jeans. She may be a little shorter, but I think they’ll fit. Now, sit. The food is almost ready.”

Three words grab my attention: after we eat.

She’s back arranging food in serving dishes and I look at Culebra. What do I do?

He purses his lips ever so slightly. Maybe it’s time to come clean.

What?

Tell them you’re on a strict liquid diet. For health reasons.

Oh, like that makes sense. Did you see the way they looked at me when Max said I wasn’t big on skirts? Now I’m going to insult Maria by refusing to eat her food?

Got a better idea?

Maria is ready to serve and Ramon motions around the table. “Please. Sit. Eat.”

I take the bench, Culebra and Max chairs, and Maria takes her place at the opposite end of the table.

“Where’s Gabriella?” I ask.

“She’s on watch. Outside.” Maria answers. “One of us always takes watch.”

An idea blossoms. “Has she eaten?”

“She will. When we’ve finished, I’ll take her a plate.”

I push myself up from the bench. “No. Let me relieve her. I’m not hungry and I’m sure she wants to be with her father.”

Ramon looks startled but grateful. “Are you sure? You haven’t eaten—”

“I’m sure. Is she just upstairs, in the cabin?”

“Yes.”

“Then I’ll go now. Send her right back to join you.”

I’m at the door when Culebra’s sardonic voice sounds off in my head. Nice save.

Ramon has crossed to open the door, and I step past him, releasing a sigh of relief when the door closes again behind me. Nice save indeed. You’d think I’d be used to dealing with humans forcing food on me, but it never gets any easier.

At the top of the stairs, I find Gabriella seated cross-legged on the floor of the shack, a laptop balanced on her knees. She has an iPod in her hand and earbuds in her ears. I can hear the beat of a rap song. It’s loud enough that a tank could pull up in front of the cabin and fire off a shot before she’d hear it.

That’s the way she’s standing watch?

It’s my first thought until I see that her eyes are on the screen and projected there are four views of the grounds around, and leading to, the cabin.

She looks up in surprise when I appear from the subterranean stairway, and pulls the buds from her ears. “What are you doing here?”

I point to the laptop. “Nice setup. I didn’t see one camera when we arrived, let alone four.”

She smiles. “The best security system money can buy.”

“Your English is as good as your mother’s,” I say.

She shrugs. “I go to school in the U.S. My mom and I spend a lot of time there.” There’s a pause while she seems to reconsider what she’s just said. “At least we used to.”

I point to the laptop. “I’m here to relieve you. I’ll keep watch. You can join your family.”

But she makes no move to get up. Her face is both youthful and mature—her smooth skin and wide eyes speak of her young years but the sadness dimming those eyes and the worry lines already forming around her mouth make her seem older, life-worn. I’ve seen the look before.

“I know about your brother. I’m sorry,” I say.

She frowns. “My father told you?”

“It’s why we’re here.”

She sniffs. “Then you’ve come on a fool’s errand. It’s too late for my brother.”

“But not for you. We’re going to make sure you and your mother are safe. That the men responsible for your brother’s death are punished.”

This time she laughs. “Well, that shouldn’t be hard, should it? Seeing as how the one responsible is the one you came with.”

Her bitterness is scathing. She can’t mean Max; she couldn’t know about him. She thinks Culebra had something to do with her brother’s death? “You are mistaken. Cule—” I stop myself. “Tomás is a friend here to help.”

“Tomás?” Her eyebrows arch in surprise. “I’m not talking about Tomás. I’m talking about my father.”