Текст книги "The Doomsday Key"

Автор книги: James Rollins

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The hand in her coat pocket touched the scar on her belly.

They had just been dancing a game of betrayal.

Like now.

A vibration in her pocket alerted her to a call.

Finally.

It was the real reason she had stayed out in the cold. She removed the phone and flipped it open.

"Speak," she said.

"Do they still have the package?" The voice on the phone was calm and assured but crisp at the edges, with an American accent. It was her sole point of contact, a woman named Krista Magnussen.

Seichan bridled at having to take orders from anyone, but she had no choice. She had to prove herself. "Yes. The artifact is secure. They're meeting with the contact right now."

"Very good. We'll make our move once they're at the excavation site in the mountains. The team set the charges in place last night. The fresh snowfall should cover up any evidence."

"And the objective?"

"Remains the same. To light a fire under them. In this case, literally. The archaeological site is now more of a liability than an asset. But its destruction must appear natural."

"And you have that covered."

"We do. Leaving you free to focus fully on your objective."

Seichan read the threat behind the words. There would be no excuse for failure. Not if she wanted to live.

As she listened to the mission specifics, she continued to watch the hotel window. Not focusing on Gray any longer, she stared at the Italian woman seated beside him. Rachel smiled at something the professor said, her eyes sparking warmly even across the cold distance.

Seichan held nothing against Rachel Verona-but that would not stop her from poisoning the woman.

11:11 A.M.

Rachel listened as the conversation continued. While the professor's history lesson was intriguing, she sensed something deeper going on here-in regard to the story of Father Giovanni and something else, something yet unspoken. The man's gaze kept lingering on her, not lasciviously, but more like he was sizing her up. She had a hard time maintaining eye contact with him.

What was going on?

"I still don't understand," Gray said beside her. "What does this Doomsday Book have to do with your discovery up in the mountains?"

Wallace held up a hand, asking for patience. "First of all, the book's true name wasn't Doomsday, but rather Domesday. After the old English root dom, which meant 'reckoning' or 'accounting.' The book was commissioned by King William as a means to assess the value of his newly conquered lands, a way to assign tax and tithing. It mapped out all of England, down to every town, village, and manor house, and took a census of the local resources, from the number of animals and plows in the fields to the number of fish in its lakes and streams. To this day, the book remains one of the best glimpses of life during that time."

"That's all fine," Gray pressed, plainly wanting to hurry him along. "But you mentioned that a single entry led to your current excavation. What were you talking about?"

"Ah, now there's the rub! You see, the Domesday Book was written in a cryptic form of Latin, compiled by a single scribe. There remains some mystery as to why this level of security was necessary. Some historians have wondered if there might not have been a secondary purpose to this great compilation, some secret accounting. Especially as a few of the places listed in the book are ominously marked with a single word in Latin that meant 'wasted.' Most of those locations are concentrated in the northwest region of England, where the borders were constantly changing."

"By the northwest," Rachel asked, "you mean like here, the Lake District?"

"Exactly. The county of Cumbria was rife with border wars. And many of the spots listed as wasted were sites where the king's army had destroyed a town or village. They were noted because you couldn't tax what no longer existed."

"Really?" Kowalski asked, scowling at his two glasses of ale. "Then you never heard of the death tax?"

Wallace glanced from Kowalski to Gray.

"Just ignore him," Gray recommended.

Wallace cleared his throat. "Closer study of the Domesday Book revealed a bit of a mystery. Not all of the wasted sites were the result of conquest. A scattering of references had no explanation. These few were marked in red ink, as though someone had been tracking something significant. I sought some explanation and spent close to ten years on one of those entries, a reference to a small village up in the highland fells that no longer exists. I searched for records to this place, but it was as if they'd been expunged. I almost gave up until I found an odd mention in the diary of a royal coroner named Martin Borr. I found his book up at Saint Michael's."

He waved toward the hilltop church at the edge of town. "The book was discovered in a bricked-off cellar during a renovation. Borr was buried up in the cemetery at Saint Michael's, his possessions given over to the church. While his journals wouldn't say exactly what had happened to that village, the man did hint at something horrible, suggesting that doomsday might indeed be a more accurate name for that book. He even marked his diary with a pagan symbol, which is what drew me to the tome to begin with."

"A pagan symbol?" Rachel's hand strayed toward her coat pocket, where she kept the leather satchel with its macabre contents.

Gray placed his palm over her fingers and squeezed gently, his intent plain. Until he knew more about this man, he didn't want Rachel showing him what she'd found. Rachel swallowed, too aware of the heat of Gray's palm on her skin. She slipped her hand away and placed it on top of the table.

Wallace failed to notice their quiet communication. "The symbol was definitely pagan. Here, let me show you." He dipped a finger in his glass of ale and drew on the wooden table, with a few deft strokes, a circle and a cross. A familiar symbol.

"A quartered circle," Gray said.

Wallace's brows rose, and he stared a bit harder at Gray. "Exactly. You'll find this symbol carved into many ancient sites. But to find a Christian diary marked with it caught my attention."

Rachel sensed they were drawing near to the heart of the mystery. "And this diary helped you to find that lost village up in the mountains?"

"Actually, no." Wallace smiled. "What I found was even more exciting."

"What do you mean?" she asked.

Wallace sat back, folded his arms, and swept his gaze over the lot of them. "Before I answer that, how about you telling me first what's really going on? Like what you're all doing here?"

"I don't understand," Gray said, feigning confusion, attempting to maintain their cover story as journalists.

"Don't take me for a fool. If you're reporters, I'm a steamin' bampot." Wallace's gaze settled fully on Rachel. "Besides, right off, I recognized you, my young lassie. You're Monsignor Verona's niece."

Shocked, Rachel stared over at Gray. He looked like he'd been punched in the stomach. Kowalski merely rolled his eyes, picked up his glass, and downed the remaining contents in one gulp.

Rachel saw no reason to continue the subterfuge. She faced the professor. She now understood why the man had been staring at her so oddly. "You know my uncle?"

"Aye. Not well, but I do. And I'm sorry to hear he's still in a coma. We met at a symposium years ago and began an ongoing correspondence. Your uncle was very proud of you-a carabiniere in charge of antiquities theft. He sent photos, and at my age, I don't forget a pretty young face like yours."

Rachel shared a glance with Gray, looking apologetic. She hadn't known of this personal connection.

Wallace continued. "I don't understand the reason for this bit of subterfuge, but before we go any further, I want some explanation."

Before anyone could speak, the professor's terrier began a low growl at the back of its throat. The dog climbed to its legs beside the fire and stared toward the entryway of the hotel. As the door swung open, the growl deepened.

A figure stepped into the hotel, knocking snow from her boots.

It was only Seichan.

Chapter 13

October 12, 1:36 P.M.

Oslo, Norway

The luncheon ended with a warning.

"Mankind can no longer wait to respond to this crisis," Ivar Karlsen said, standing at a podium at the far end of the dining hall. "A global collapse faces this generation or the next."

Painter shared the table at the back of the hall with Monk and John Creed. They had arrived in Oslo only an hour ago and barely made it to the opening luncheon of the World Food Summit.

The dining room of Akershus Castle was straight out of a medieval storybook. Hand-hewn wooden beams held up the ceiling, while underfoot, an oak floor was laid out in a herringbone pattern. Overhead, chandeliers sparkled down upon long tables draped in linens.

The meal had included five courses, an irony for a summit that had gathered to discuss world hunger. The lunch had been a study in Norwegian cuisine, including medallions of reindeer in a mushroom sauce and a pungent dish of lutefisk, a Norwegian whitefish specialty. Monk was still dragging his spoon around his dessert bowl, chasing the last cloudberry out of the whipped cream. Creed merely cradled a cup of coffee in his hands and listened to the keynote speaker attentively.

With the speaker's podium at the far end of the hall, Painter had a hard time getting much of a read on Ivar Karlsen, but even across the distance, the man's passion and earnestness were plain.

"World governments will be too slow to respond," Ivar continued. "Only the private sector has the fluidity to act with the necessary speed and innovation to turn aside this crisis."

Painter had to admit that the scenario presented by Karlsen was frightening. All the models he presented ended the same way. When unchecked population growth hit the point of stagnating food supply, the resulting chaos would kill over 90 percent of the world population. There seemed only one solution, a final solution not unlike Hitler's.

"Population control must be started immediately. The time to act is now, or even better, yesterday. The only way to avoid this catastrophe is to slow the rate of population growth, to apply the brakes before we hit the wall. Yet do not be fooled. We will hit the wall. It is inevitable. The only question is do we kill all the passengers or do we walk away with only a few scratches. For the sake of humanity, for the sake of our future, we must act now."

With those final words, Karlsen lifted a hand to a smattering of applause. It was far from enthusiastic. For the opening to the summit, it certainly cast a pall of gloom.

One of the men seated at the front table stood and took the microphone next. Painter recognized the dour-faced South African economist. Dr. Reynard Boutha, copresident of the Club of Rome. Though Boutha nodded to Karlsen as he assumed the podium, Painter read the tension and irritation in the copresident's expression. He was not happy with the tone of the keynote.

Painter barely heard Boutha's words. They were mostly conciliatory, more optimistic, an acknowledgment of the great strides already made in feeding the world's hungry. Painter kept his focus on Karlsen. The man's face was passive, but he gripped his water glass tightly, and deliberately kept his eyes away from Boutha, refusing to acknowledge the other's message of hope.

Monk came up with the same evaluation. "Guy looks like he's ready to punch his fist through something."

The concluding farewell by Boutha ended the luncheon. Painter immediately shot to his feet. He turned to Monk and Creed. "Head back to the hotel. I'm going to have a few words with Karlsen, then meet you there."

John Creed stood. "I thought our appointment wasn't until tomorrow morning."

"It's not," Painter said. "But it never hurts to say hello."

He pushed against the tide of people leaving the luncheon. A small clutch of admirers surrounded Karlsen, congratulating, questioning, shaking his hand. Painter edged nearer. Off to the side, he overheard Boutha speaking to a hawk-nosed man in a poorly fitting suit.

"Antonio, I thought you warned Mr. Karlsen against such an inflammatory speech."

"I did," the other answered, his face red and blotchy. "Does he ever listen? But at least he toned down the worst of it. His original keynote called for mandatory birth control in third world countries. Can you imagine how that would've been received?"

Boutha sighed and headed away with the other man. "At least he'll be away from the conference starting tomorrow."

"Small blessing there. He'll be in Svalbard with some of our biggest donors and sponsors. I can only imagine what he'll say when he has them alone. Perhaps if I went along, too..."

"You know the scheduled flights are full, Antonio. Besides, I'll be along on that trip to put out any fires."

They passed Painter without a glance, leaving the way open to Karlsen. Painter stepped forward and took the CEO's arm in a double-handed shake, one hand on his palm, the other on his wrist.

"Mr. Karlsen, I thought I should take a moment to introduce myself. I'm Captain Neal Wright from the U.S Office of the Inspector General."

The man extracted his hand, but his warm smile never faltered. "Ah, the investigator from the Department of Defense. Let me assure you that you'll have my full cooperation concerning the tragedy in Mali."

"Of course. And I know our interview isn't scheduled until tomorrow. But I just wanted to say I found your talk fascinating." Painter played off what he had just heard. "Though I wonder if you were perhaps pulling your punches."

"How so?" The casual interest in his face sharpened.

"It seems drastic methods will be necessary to curb population growth. I had hoped you would have gone into more specific details rather than mere generalities."

"You may be right, but it's a controversial subject, one best handled delicately. Too often, people blur the line between population control and eugenics."

"As in who are allowed to breed children and who are not?"

"Precisely. It's not a subject for those bound by political expediency or popular opinion. That's why governments of the world will never solve this problem. It's a matter of will and timing." Karlsen checked his watch. "And speaking of the latter, I'm unfortunately running late for another appointment. But I'd be happy to chat more about this when we meet tomorrow at my office."

"Very good. And thank you again for the illuminating talk."

The man nodded as he stepped away, his mind already shifting to the next task at hand.

Painter watched him leave. As Karlsen neared the hall entrance, Painter palmed the cell phone in his pocket and pressed the button on its side. A narrow radio frequency burst from the phone and activated the polysynthetic receiver implanted inside his ear.

A chatter of voices, along with the clink of dishes being cleared from the tables, immediately burst in his ear. The sounds were amplified from the bug he had just planted inside the jacket sleeve of Ivar Karlsen as they shook hands. The electronic surveillance device was no larger than a grain of rice. It had been DARPA engineered, based on one of Painter's own designs. He might be director of Sigma now, but he'd started as a field operative. His specialty was microengineering and surveillance.

Painter watched Karlsen come to a sudden stop outside the banquet hall. He clasped hands with a silver-haired man who matched him in height. Painter recognized Senator Gorman. Straining to listen in on their conversation, Painter weeded out the background noise and concentrated on Karlsen's voice.

"-you, Senator. Were you able to catch the keynote?"

"Just the end of it. But I'm well aware of your views. How was it received?"

Karlsen shrugged. "Fell on deaf ears, I'm afraid."

"That will change."

"Unfortunately true," Karlsen said a little sadly. He then clapped Senator Gorman on the shoulder. "By the way, I should let you know I just met that investigator from D.C. He strikes me as a very capable fellow."

Painter allowed a slight smile to form. Nothing like making a good first impression...

The senator's gaze swept the ballroom. Painter kept his face turned away and slipped smoothly among a clutch of people. The senator's security clearance was not high enough to know anything about Sigma. As far as the senator knew, Painter was merely a DoD investigator. Still, he preferred anonymity. General Metcalf had warned against ruffling the man's feathers. The senator had a quick temper and little patience, which he amply demonstrated now.

"It's a stupid waste of resources to send someone all the way here," Gorman complained. "The investigation should be concentrating its resources in Mali."

"I'm sure they're just being thorough. It's not an inconvenience."

"You're too generous."

With those words, the two men left together.

Painter kept the microreceiver live in his ear and strode toward the exit. He continued to eavesdrop on the conversation.

It was good to have the upper hand, for once.

In a room off the banquet hall, Krista Magnussen sat before an open laptop. She studied the image of the man frozen on the screen with mild interest. He was strikingly handsome with his whip-hard body, black hair, and flashing blue eyes. During the luncheon, she had observed everyone who made contact with Ivar Karlsen. A small wireless camera was situated in a corner of the room, focused on the front of the hall. There had been no audio, but the surveillance allowed her to run each image through face-recognition software and cross-reference it against a Guild database.

As she waited, the man's face digitized into a hundred reference points and uploaded. Moments later, the screen flashed in red with a single word, along with an operative code beneath it.

The word made her go cold.

Sigma.

The operative code she knew equally well.

Terminate upon sight.

Krista returned the camera feed to live. She leaned close to the monitor. The man was gone.

Antonio Gravel was having a bad day.

Standing out in the hallway, he had meant to waylay Ivar Karlsen after the luncheon, to try one last time to convince the bastard to let him join the trip to Svalbard. He was even willing to offer some concession, to ingratiate himself if necessary. Instead, Ivar had run into the U.S. senator. Antonio waited in the wings to be introduced, but as usual, the bastard deliberately ignored him. The two men departed, deep in conversation.

Antonio could barely breathe after the insult. Anger grew to a blinding white fury. He swung away savagely and smacked squarely into a woman hurrying out a side door. She was dressed in a long fur coat, her hair done up in a scarf. He struck her so hard that a large pair of Versace sunglasses slipped from her face. She deftly caught them and perched them back on her nose.

"Entschuldigen Sie bitte," Antonio apologized. He'd been so startled and mortified that he slipped into his native Swiss German-especially as a confounding flicker of recognition fluttered through him.

Who...?

Ignoring him, she shoved past, glanced into the banquet room-then rushed down the hallway with a flare of her ankle-length coat. She was plainly late for some engagement.

He watched her disappear down the closest stairwell. Irritated, he shook his head and started to leave the other way.

Then he suddenly remembered.

He jolted and swung back around.

Impossible.

He had to be mistaken. He had only met the geneticist once, at an organizational meeting regarding the Viatus research project in Africa. He didn't recall her name, but he was certain it was the same woman. He had spent most of that dull meeting staring at her and undressing her with his eyes, imagining what it would be like to force himself on her.

It had to be her.

But she was supposed to be dead, a victim of the Mali massacre. There had been no survivors.

Antonio continued to stare toward the stairwell. What was she doing here, alive and unharmed? And why was she keeping herself hidden, her features under wraps?

Antonio's eyes narrowed as a slow realization warmed through him. Something was up, something no one was supposed to know about, something tied to Viatus. For years, he'd been seeking some dirt on Ivar, a way to rein the bastard to his will.

At long last, here might be his chance.

But how to best turn it to his advantage?

Antonio swung away, already plotting his game. He knew which card to play first. A man who'd lost a son during that massacre. Senator Gorman. What would the U.S. senator think if he learned there had been a survivor of the attack, someone Ivar was keeping secret?

With a grim smile, he headed off.

The day had suddenly gotten much brighter.

3:15 P.M.

Painter headed under the brick archway that passed through the fortress wall of Akershus. Even though it was only a little after three in the afternoon, the sun was already low in the sky at this near-Arctic latitude. Beyond the archway, the fjord's harbor opened. Snow still frosted the verdigris-stained cannons that lined the walkway and pointed out to sea, ready to protect the town against warships. Though at the moment, there was only a Cunard cruise ship parked dockside.

As seagulls swooped and screamed through the diesel-fouled air, Painter continued along the cruise ship's towering bulk and aimed for the city proper. Over the past hour, he'd kept tabs on Ivar Karlsen, eavesdropping on his conversations. With the bug, he'd had a good chance to discover more details about the CEO, insights that might prove invaluable for tomorrow's interview.

The conversations had mostly been of mundane matters, but still, it was clear the man was deeply committed to facing issues of hunger and overpopulation. Karlsen was all about real-world solutions and practicality. It was plainly the man's mission in life.

Painter also caught an intriguing bit of conversation about the drought-resistant corn strains being developed by Viatus, a version of which had been tested at the Mali research farm. As of last week, mass seed shipments were already under way to places around the world, triggering a spike in stock prices for Viatus. And still Ivar was not satisfied. He promised that his company's Crop Biogenics division was continuing to craft new strains with desirable features: insect-resistant wheat, frost-tolerant citrus, weed-killing soybeans. The list went on and on, including a rapeseed strain that could produce oil essential to the manufacture of biodegradable plastic.

But the conversation had ended on a darker note. Karlsen had brought up a quote from Henry Kissinger. It had been in response to a question about his company's shift in focus from petrochemicals to engineered seeds. He had said, paraphrasing Kissinger, "Control oil and you control nations, but control food and you control all the people of the world."

Did Karlsen truly believe that?

A few minutes after that, the man had climbed into a corporate limo and left for his research complex outside of Oslo. The hidden micro-transceiver had a limited range, so Painter had to abandon his spying for now. And just as well. Karlsen's talk about the Crops Biogenics division had lit a fire under Painter. He barely felt the cold as he crossed into the shadow of the towering cruise ship and navigated through the passengers hovering at the gangplank.

He had to prepare for another facet of the investigation, one that would require a bit more stealth this evening.

As he moved through the passengers, a burly figure in a parka bumped against him. Spotting the impact a fraction of a second before, Painter instinctively moved to sidestep him. A fiery lance of pain stabbed into his side.

He spun away from it, catching a flash of silver off a knife held low in the man's grip. If he hadn't dodged at the last moment, the blade would've struck him square in the stomach. He couldn't count twice on such a lucky break. The man came at him again.

So far, no one else had noted the attack.

Painter snatched a camera from around one of the oblivious tourists' necks. Gripping the shoulder strap, he swung the heavy Nikon SLR and struck the attacker square in the ear. As the man fell to the side, Painter leaped in closer, snagged the leather strap around the man's wrist, and used the grip to wrench his struggling form over his hip and hard to the pavement.

The man's face struck the cement. A bone snapped in his trapped arm. The knife tumbled across the ground.

As yells erupted all around, Painter vaulted over the prone body, going after the loose weapon. Before he could reach it, the knife suddenly jolted, emitting a sharp hissing, and skittered like a loose rocket across the icy ground. Painter hesitated, recognizing the lethal weapon.

A WASP injector knife.

The dagger's handle held a bulb of compressed gas, making the blade doubly dangerous. Once stabbed into a victim, the press of a button blasted a basketball-sized volume of cold air through the impaled blade and into the victim's gut, snap-freezing and pulverizing all internal organs. It could kill a brown bear with one jab.

Propelled by the blast of gas, the knife rocketed into the tangle of boots and legs. The waterfront had erupted in chaos. Some people fled from the fight; others crowded closer. Someone shouted, "That guy stole my camera!"

A slew of ship security personnel pounded down the gangway. More forced their way through the crowd.

Painter clutched a hand to his side and dove into the chaos of the churning crowd. The heavy coat and last-minute dodge had saved his life. Still, hot blood welled through his fingers. Fire flamed his side. He could not get caught. Still, it wasn't only security he had to worry about. As he ran, he kept watch on the crowd around him.

Had the attacker come alone?

Not likely.

As Painter stumbled through the passengers and tourists, he searched faces around him and watched hands. How many others were disguised like the first one, planted in the crowd and guarding this exit out of Akershus?

He knew one thing for certain. This had been no random mugging. Not with the attacker wielding a WASP injector. Somehow his cover had been blown. A net had been set up around the fortress grounds.

He had to get clear of the docks, put some distance between himself and the ambush. The crowds grew less tight around him as he hopped into the parklands that bordered the dock. Icy snow covered the ground and crunched under his boots. Bright red drops splattered into the snow. He was leaving an easy trail to follow.

Fifty yards away, another man in a parka hopped the border fence and came tromping toward him. So much for the subtle approach now. Not knowing if the man had a gun, Painter turned and fled for the patch of pine trees that filled the back half of the park. He had to get under cover.

The assassin followed the fresh trail of prints in the snow. He ran in a low crouch, his blade clutched in his left hand. He hit the tree line and kept one eye on the trail and the other on his surroundings. Under the trees the way became shadowy but not so dim that he lost sight of the trail. No one had been through here since the last snowfall. Only one set of prints marred the virgin snow.

Along with a dribbling track of blood.

The path zigzagged through the trees. Clearly the target feared a gun and took up a defensive pattern. It was a waste of effort. The assassin cut a straight path through the forest, paralleling the crooked flight.

Ahead, the glade opened. The trail of prints fled straight across. His prey had abandoned caution and was trying to reach the city streets beyond the park. Tightening his grip on the knife, he raced to close the distance.

As he reached the glade's edge, a low branch of a neighboring pine whipped around. It struck him across the shins with the force of a battering ram. His legs were knocked from under him. He flipped face-forward into the snow. Before he could move, a heavy weight landed on his back and crushed the remaining air out of him.

He realized his mistake. The man had backtracked, hidden behind the pine, and ambushed him, hauling back the branch that had cracked across his shins.

It was his last mistake.

A hand shot down and gripped his chin. The other pinned his neck to the ground. A sharp yank. His neck snapped. Pain flared as if the top of his skull had blown away-then darkness.

5:34 P.M.

"Hold still," Monk scolded. "I only have one more suture."

Painter sat on the edge of the tub in his boxers. He felt the needle pierce his flesh. The spray anesthetic only dulled the sharpest edge of the pain. At least Monk worked swiftly. He'd already debrided and cleaned the wound, shot him full of prophylactic antibiotics, and with a final deft twist of his needle forceps, he closed the four-inch laceration under the left side of Painter's rib cage.

Monk dropped everything into a sterile Surgipack on the bathroom floor, picked up a roll of gauze and adhesive tape, and set about wrapping Painter's chest.

"What now?" Monk asked. "Do we stick to our schedule?"

After the attack, Painter had fled into the city, taking an extra few minutes to make sure he wasn't followed. Then he'd called Monk. As a precaution, he ordered them to change hotels and rebook under another alias. Painter joined them there.

"I see no reason to change," Painter said.

Monk nodded toward the wound. "I see about four inches of reason."

Painter shook his head. "They were sloppy. Whoever set up the attack must have done so hastily. Somehow I was made, but I don't think we're more exposed than that."

"Still, that's pretty damn exposed."

"It just means extra precautions will be necessary from here. I'll have to avoid the summit. Keep out of sight. That means leaning more heavily on you and Creed."

"So we're still going to recon that research facility tonight?"

Painter nodded. "I'll monitor via radio. Nothing fancy. Slip in, tap into the servers, and get the hell out of there."

It was a simple operation. Courtesy of Kat Bryant's sources, they had identification cards, electronic keys, and a full schematic of the Viatus facility. They would go in after midnight when the place was mostly deserted.