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The Swan and the Jackal
  • Текст добавлен: 9 октября 2016, 17:44

Текст книги "The Swan and the Jackal"


Автор книги: J. A. Redmerski



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Текущая страница: 5 (всего у книги 18 страниц)

Now I can focus on Cassia.

My teeth are on edge, my throat is dry, my head is spinning with scenarios, all of which begin with a brutal interrogation and end with Cassia remembering more of her past and more about Seraphina. But I’ve waited too long as it is. I have no one to take back to interrogate.

Feeling defeated and angry about how wrong this night has gone, I slam both hands against the steering wheel. The back of my neck is sweating. I’ve been grinding my teeth so abrasively on the drive back that my jaw hurts.

Just when I think it’s over and that I’ll have to wait another week or two before I get another interrogation job, I accept in my mind that returning to my old ways is all I have left.

And so I make a sharp U-turn in the split in the road and head east to find a man I’ve had on my backup list for times just like these, when I have no other choice.

Chapter Seven

Cassia

The man’s screams fill my ears with terror, like hands reaching for me out of an inferno and it burns too hotly for me to pull them out. All I can do is cover my ears with the palms of my hands and hope to deafen them. I don’t want to look, but my subconscious forces my eyes open every few seconds as if a part of me can’t resist. I sit on the floor, curled in the fetal position with my back against the wall. My favorite corner. The one farthest away from the enormous television screen protected behind a thick piece of Plexi-glass. The television feeds live video of the other side of the basement, the side that has been closed off by a brick wall, and a single wooden door so thin that I don’t really need the volume up on the television in order to hear the sounds coming from the other room.

“Please…please…I can’t…I can’t take anymore,” the man says from the ominous chair that often haunts my dreams. “I’ve told you everything! I can’t tell you what I don’t know!” Blood spews from the man’s swollen and busted lips. Fredrik beat him before he started pulling out his teeth.

Why did Fredrik beat him? He never resorts to that.

I’m frightened.

Have I angered him?

I swallow what’s left of the saliva in my mouth and shut my eyes as tears seep between my lids and down my chapped cheeks. My arms are wrapped around my bent knees, pressed tightly against my chest. I’m shaking all over. Every inch of me trembles so terribly that I feel like I’m going to fall apart. I rock myself back and forth, weeping.

And then I begin to sing. I don’t know this song, but it feels so familiar. I know the words, yet I’m not sure how I know them.

With my hands pressed over my ears, I sing louder as the man’s screams amplify.

I sing louder….

Fredrik

I stop abruptly, the bloody pliers suspended in my hand just above the head of Dante Furlong, heroin dealer from the West Side. Even his blood stinks, not like normal blood which smells metallic and harsh. Is it possible to smell the evil in someone like a canine might scent a tumor?

I wonder if my blood smells as disgusting as his.

His wide eyes look up at me, partly petrified, partly questioning. He knows the beautiful voice is what made me stop, is what saved him from further suffering. But for how long, he wonders. It’s what I’d wonder if I was the one in the chair.

“W-What is that?” he asks with a lisp, unable to set his tongue right in his mouth now that his front teeth are missing. “Where is that coming from?”

His long, dirty fingers grip the ends of the chair arms, still trying to break his hands free from the leather restraints tight around his wrists. But at this point I doubt he realizes he’s doing it anymore. It has become instinct, a way to deaden the pain, and his body doesn’t want to let go just yet.

I look out ahead where the video camera is hidden in the wall, knowing that Cassia is looking back at me through the flatscreen in her room just on the other side of the brick.

Suddenly she stops singing Where the Boys Are by Connie Francis. Just when I was beginning to get lost in her voice, she stops and forces my mind back into the moment.

It’s for the better.

I get back to work.

“Fuck! No! Please! You crazy motherfu—,” the rest of Dante’s words come out in garbled, choking sounds.

I twist the pliers back and forth to the sound of bone crunching in my ears. The tooth pops out and I drop it in the silver tray next to me with the other six.

Dante chokes on the blood draining into the back of his throat. His body shakes violently like a fish dropped on the shore just inches from the water. His beady pale blue eyes open and close from exhaustion and pain. But he hasn’t felt pain yet. I’ll pull out his fingernails next.

“I-I’ll stop selling!” he spats. “I fucking swear it! I won’t sell anymore.” His mangled words begin to roll out amid sobs. His curly black hair, covered in filth and oil, glistens under the bright floodlight clamped on an IV stand at the back of the chair.

I hover over Dante and look into his eyes.

“You’re a liar,” I say in a calm, dark voice. “You’re a fucking liar. A shit stain in a pair of underwear. Men like you never stop. You’ll beg and plead in the face of pain, but the second I let you out of here, you’ll be selling heroin to little boys in abandoned houses.”

“Little b-boys? Man, I-I don’t sell to little boys!”

I grab his blood and spit-covered chin vigorously with my latex-glove-covered hand, wrenching it still, digging my fingertips into his unshaven cheeks. “How many little boys have you given drugs to for a blowjob? Huh?” I squeeze his face harder.

“W-W-What tha’ fuck are y-you t-talking about, man?!”

“HOW MANY?!”

I dig my fingers into his cheeks so deeply I can feel the outline of his lower jaw. He struggles in my grasp, his head secured to the chair by a leather strap like the ones on his wrists, ankles and torso, it fights to move side to side. But I hold him immobile.

“HOW MANY?!” I glare into his terrified face.

He tries to speak and I loosen my grip on his jaw enough to let him.

“I-I-I don’t k-know! A few. I don’t know! But they weren’t children! Teenagers, maybe! But not little b-boys! I swear on my life I’ll never sell again! I-I won’t sell again!”

Without blinking, I bury the pliers inside his mouth and work on the next tooth. His body goes rigid in the chair, his filthy fingers curling in on themselves, his thighs covered by faded blue jeans hardening like blocks of cement. His eyes screw shut so tightly that a hundred deep crevices form around the corners of them.

Cassia starts singing Connie Francis again.

I try desperately to ignore it, pulling harder on Dante’s teeth. One by one, I rip them out mercilessly as if the more aggressive I become the more of her voice I’ll be able to block out. I’m never this sloppy, this angry. I pride myself on keeping full composure in the face of my victims, not allowing them to see that anything is bothering me. But Dante must know. He has to know probably just by the look in my eyes as I stand over him, that she’s getting to me.

I choke back my tears.

I step away from him, the pliers dropping from my fingers onto the concrete beside my shoes. My breathing is heavy, deep. The tears are burning the backs of my eyes.

Why is she doing this to me? How could I have ever let her do this to me?

I bring my arm up and wipe my tears from my face with the back of my shirt sleeve. Tiny smears of blood stain the white fabric when I pull it away.

I’m never this sloppy!

The singing stops when Dante’s pain stops. It’s a pattern now, I realize. She was singing to block out his screams.

I hurt her.

And I hate myself for it.

But what’s worse, I hate myself for giving a shit.

I snap the latex gloves off my hands, making sure not to get any of the blood on my fingers, and drop them on the floor by the pliers. And then I storm through the door into her side of the basement to find her sitting on the floor in the corner, crying into the palms of her hands.

Chapter Eight

Fredrik

I walk past her and head into the restroom not far from her bed. It’s a clean and cozy room just like the rest of Cassia’s side of the basement. With ivory walls and a fancy marble counter and marble tile flooring. Greta keeps it clean for her. Every day she comes down here and scrubs the toilet and washes out the sink and shower. She replenishes Cassia’s toiletries and makes certain that she has fresh towels. Everything in Cassia’s space is immaculate.

That is until I brace my hands upon the edge of the counter and leave bloodstains on the white marble. I don’t know how I managed to get blood on my hands after being so careful.

I can’t think straight!

I turn the bronze knob on the faucet and water gushes into my hands. Using more soap from the pump bottle than what’s necessary, I scrub them hard and vigorously like a surgeon would scrub his hands before performing surgery. I want them to be clean, but I’m doing it mostly for a distraction. I don’t want to face her. I don’t want to see Cassia crying.

But the singing…she’s never done that before. She has to have remembered something, and as much as I need to know what it is, I still don’t want to face her.

With the water still blasting I brace my hands on the edge of the counter again, sigh heavily and drop my head in-between my shoulders.

Get it together, Fredrik, I think to myself. Get it together. It’s all about Seraphina. Remember that.

I never wanted it to go this far.

When I took Cassia from the shelter the night of the fire—she refused to be taken to the hospital—I never in my wildest imagination thought that what happened, could.

And here I am today, nearly a year later, and not only have I not found Seraphina, but I’ve developed feelings of remorse and sympathy for the very woman I need to help me draw Seraphina out of hiding.

I can’t do this.

I’ve never felt so conflicted about anything in my life before this. I’ve ruined this woman, Cassia, this sweet and innocent and almost child-like woman who wouldn’t kill a spider if it was crawling across her leg. All for the sake of finding my beloved Seraphina. I’ve been using this poor girl to draw Seraphina out like drawing venom from a snake bite. And I hate myself for it.

But it’s the only way.

Cassia is the only way.

Opening my eyes, I see that I’m white-knuckling the counter, all of my fingers clamped down hard against it.

I raise my eyes to the small oval mirror in front of me.

Tiny flecks of blood are sprinkled about my unshaven face. Disgusted, I fill my hands with water and splash myself, two, three, four times before I’m satisfied. I reach out and pull the hand towel from the rod hanging on the wall and dry off. There’s blood on my shirt, I notice, and I strip it off quickly.

How could I have been so careless?

When I finally shut the faucets off, I can hear Cassia crying again without the water to drown it out. And it sears through me.

Goddammit, I was never cut out for this. Not this. Feeling pain and sorrow for someone, anyone, and letting it control me. With Seraphina, I never had to feel it. Not like this. So goddamn unpleasant. We were alike, she and I, like two damaged souls cut from the same sadistic cloth. We thrived on pain. We got off on it. Whether it was our own pain, or the pain of someone willing to let us enjoy theirs.

“What do I do?” I ask myself aloud, looking into the mirror. “Fight it like I have been the past year? Or, do I give in to it?”

I shake my head no. No. No. And pull my fist back and slam it into the mirror. Shards crack and fall into the sink, breaking into even smaller pieces, but leaving my skin unbroken. And when I look back into the mirror, all I see are pieces of myself that are missing. Not the glass, but of myself.

I’ve never been whole, not since the day I was born to a mother who left me wrapped in a shirt beside a public toilet.

I step out of the restroom and look first at the television screen mounted behind the Plexi-glass. Dante is still struggling in the chair. He seems more alert now that I’m not in there with him. He’s scanning the dark, dank room—the only part of this old house I never restored—for a way out, or something to use in which he can free himself. He has no idea that I’m watching. But he’s not going anywhere. Houdini couldn’t get out of those restraints.

“Please, Fredrik, please turn it off,” Cassia says with a whimper.

I don’t hesitate, despite something in the back of my mind—the dark, malevolent part—telling me to leave it alone. That she needs to see it, to hear it, to smell his pungent blood through the cracks in the wooden door that separates the rooms.

I walk over to the television and take the remote down from a shelf on the wall next to it, pressing my finger on the Power button. Cassia winds her frail fingers through the top of her hair, her face buried behind her knees.

“I’m sorry,” I say standing over her. “I—.”

“Lemme out’o ‘ere! Omeone ‘elp!” Dante cries out in garbled, choppy words.

Glancing back down at Cassia, her fingers begin to tighten in her hair as if she’s trying to pull it out, inflicting pain on herself to block out Dante’s cries.

“Fuck!” I march back across the room toward the wooden door and swing it open, slamming it against the wall.

The whites of Dante’s eyes grow stark underneath the floodlight. Blood, more black than red, covers his face, pouring down his chin and soaking into his T-shirt. His face is swelling; his lips red and purple and puffy.

“Be quiet,” I snap.

“M’beggin’ oou! On’t hurz me ‘ny’ore!”

One of three syringes ready and waiting on the tall silver tray behind the chair is within my fingers in seconds. Holding it up to the light, I gently push on the silver plunger, releasing some of the heroin from the tip of the needle.

“W-What are ‘ou ‘oing?” His head struggles to see me behind him; fear of the unknown saturating every syllable.

“I. Said. Be. Quiet.” I push the words through my teeth.

After quickly checking the placement and tension of the thin blue tourniquet wrapped around his upper arm, I jab the needle into his vein and pump the contents into him.

Scrubbing my hands all over again in Cassia’s restroom, I find myself drifting off in deep thought as I stare at the broken mirror. Dante is no longer screaming, but Cassia is still crying, albeit not as loudly as before. But her cries, no matter how hard or soft, make me ache just the same.

“Let me see your face,” I say to Cassia gently, crouching beside her on the floor.

I reach out and fit my fingers underneath her chin, carefully raising her face from the confines of her legs.

“I won’t hurt you,” I say. “You know that. You should know that by now.”

She shakes her blonde head as her soft brown eyes look up into my blue ones. “You’ve hurt me before,” she says, tears straining her voice. “You put me in that chair when you first brought me here. Who’s to say you won’t do it again?”

I’m to say I won’t do it again.”

I sit down fully on the floor in front of her, my knees bent, my arms resting atop them at the wrists.

“I will never hurt you,” I say, though I’ve told her this many times since that night. “Things were different then. I thought you…,” I stop myself. I have to be careful the way I talk to her and with the things I say. “Cassia, I thought you knew more than you were telling me. But I know the truth now.”

My heart utterly melts when she scoots across the short distance and moves to sit between my legs. My body instinctively allows her in, conforming to hers as my bare arms wrap around her small form. Her long, delicate fingers curl about my bicep and she presses her head in the warm hollow where my shoulder and chest muscles meet. My eyes shut softly and a small breath emits from my parted lips as I feel her body against mine. I cup her head in my large hand and savor the softness of her hair pushing between my fingers and brushing my chest like a blanket of silk. My heart thrums inside of me, the first sign of an inevitable betrayal, the one where I become a man that I despise. A man who is weak and defenseless at the mercy of emotions that I learned long ago to reject.

I wish Seraphina would’ve let me fucking burn in that fire six years ago.

“You were singing,” I whisper onto her hair. “Connie Francis. Why were you singing, Cassia?”

She shakes her head.

“I don’t know. I’m sorry.”

My arms tighten gently around her.

“It’s OK,” I say in a quiet voice.

After a pause, I ask carefully, “Do you remember anything?”

Cassia raises her head from my arm and turns at an angle to look into my eyes.

“Fredrik,” she says as softly as I had spoken. “Can I speak freely? Can I tell you whatever I’m feeling?”

Confused, and even troubled by her question, I’m not sure at first that I want to let her.

“Yes,” I say, against my better judgment.

Cassia turns around fully between my legs so that we’re sitting face-to-face, her white gown pulled down over her bent knees, her hands resting on the tops of her delicate feet. I don’t know how my hands found their way at each side of her neck, with my fingers splayed carefully to touch the edges of her jaw, but there they are, like two traitors setting out on their own, independent and defiant of the rest of me. I don’t argue with them.

Her eyes soften and so does my dark heart.

I feel like I want to kiss her. But I don’t. I can’t. That’ll only make me want to do other things to her and I’ve been down that road with Cassia before.

It’s a very dangerous road.

“What is it?” I urge her, brushing my fingers against her jawline.

She reaches up and carefully hooks her hands about my wrists, peering into my eyes.

“The things that you do to those men,” she says with words kind and understanding. “I want to know why, because my heart tells me that your darkness was born from darkness. It’s not just a job like you’ve told me before. It’s more than that, Fredrik.”

My hands drop from her neck and fall atop my bent knees again, dangling at the wrists. I shake my head. In the eleven months and nineteen days that I’ve kept her here, she’s never asked this question, never pried into my life before Seraphina. Her curiosities have always been—understandably so—only about Seraphina, the very reason that Cassia is here. I guess I never thought that after spending so long with someone that they eventually begin to see through all of the things you think you’re hiding from them so well.

Cassia pushes herself closer when I thought she couldn’t get any closer and urges me to look at her. Her right hand moves toward my face to console me, but I stop it, holding it at the wrist and pushing it back down.

“The only one of us who should be talking about our past, is you,” I tell her.

Her doe-like eyes fall under a shroud of disappointment.

But she’s not going to give up so easily.

“You’ve asked so much of me, Fredrik,” she says with such kindness, “but when I ask anything of you, you turn me away. I only want to know this one thing. I don’t care anymore about Seraphina, or the history you have with her. I don’t even care what I have to do with it.” Her soft hand ends up touching the side of my face anyway, and I’m not sure how she slipped it past my barrier. “All I care about anymore is you, Fredrik.” She peers deeply into my eyes and ensnares my gaze, her face full of heartbreak and longing. “What are your demons trying so hard to kill?”

I push her hand away more forcibly this time.

“Do you remember anything?” I ask, disregarding her question altogether.

“Stop,” she says with more intensity than I expected. “You’re going to give me this. Before you leave me alone down here another night, you’re going to tell me.”

The desperation in her eyes bores into me. I look away, only to look right back at her.

Please…,” she says.

A lump moves down my throat and settles somewhere in my chest. All ten of my fingers spear through the top of my dark, messy hair and I let out a miserable sigh of defeat.

I never talk about my past to anyone. Ever. I try not to think about it, but on some days that is as futile as trying not to breathe. It wasn’t until I met Seraphina eight years ago that I learned to control it, that I became a much different man from the one who hunted shit stains like Dante Furlong, tortured and murdered them every other night, never feeling the satisfaction that I longed to feel with every kill. I was like a drug addict, always looking for a fix but never really satisfied enough to stop. Never satisfied at all, because I only wanted to do it more and more.

Seraphina helped me control the perpetual urges. She showed me how to release the darkness within me with quieter, cleaner methods so that I didn’t leave a trail of bodies and evidence behind. But the biggest impact that Seraphina had on my life was making me feel like I had one. Because before her, I was just a speck of dust floating around in oblivion. I didn’t know the meaning of happiness, or understand the thrill of pleasure or the hunger for excitement. I was just a shell of a man who knew only darkness and death, who only felt the emotions of anger, and hatred, and rage and vengeance.

But Seraphina, she was my dark angel, who came into my life and showed me that there was so much more to living than I ever understood. Ever since she left me in that field the night she set my house ablaze, I’ve been slowly but surely succumbing to my old life again, and I need to find her before I fall too far.

If I haven’t already.

Seraphina is the only person I’ve ever talked to about my past. If I do this with Cassia, I fear I might open doors that need to stay shut, for both our sakes.

But…I can’t deny her.

I feel like I owe her after all I’ve put her through. And since it isn’t anything about Seraphina, which I can’t tell Cassia no matter how hard she pries, I resolve with myself to tell her what she wants to know.

Gazing into Cassia’s eyes, I search them for a moment, rapt by her strange feelings for me, and briefly wonder why she even cares. And then my gaze falls on the wall behind her, in the corner where she’s always sitting when I come down here.

Finally, a fragment of a memory spills reluctantly from my lips.

Twenty-three years ago…

Dust swirled up before me when the heavy door to the chamber room groaned opened. A dull gray light filtered inside the room from the hallway onto the stone floor. It hurt my eyes. My filthy hands came up mechanically to rub them only to push dirt behind my eyelids. I winced and shut them tight as tears—brought on only by the aggravation—drained warmly from the corners.

Boots tapped against the stones. Olaf’s boots. I knew the sound of his just as I knew those of all the men who ran this place. It became mandatory to know, like that of every other part of my surroundings at all times. The smell of the guard’s body odor who watched this chamber room from dawn to noon. The squeaking noise the guard’s cigarette lighter made who guarded the chamber from noon to dinner. The swishing of guard number three’s long trench coat that always sounded like the rustling of a plastic garbage bag. These things were vital that I know because I was going to escape this place no matter what, and I needed to memorize every aspect of my environment.

I looked up from the edge of my elevated cot made of old wire and worn springs to see Olaf standing over me. My eyes still burned from the dirt I smeared in them. The other boys in the room were also sitting on their cots just as I was. Quiet. Scared. Each of them fearing that Olaf was here for them for punishment, and not for advancement like I was being treated to on this day.

“Come now,” he said with the subtle backward tilt of his head, “I’ll show you to your new quarters.”

It had been a day to look forward to, when Olaf, after six months of confinement, believed I had learned my lesson and would never try to escape again. I was caught just outside the tall brick wall that surrounded the massive property. My only friend, Eduard, who spoke only French, was with me. He was shot in the head next to me, his sentence for fleeing. I was left alive and Eduard’s death had been my final warning.

Olaf had always had a soft spot for me. He showed that by taking me away from the violent men and from the brutal beatings they inflicted on me. And he continued to show it by having me sleep in his quarters on some nights, sometimes on a cot on the floor next to his bed, while other times he insisted I sleep with him in his bed. I did not want to, but it would’ve been foolish to protest.

I stood from the cot and kept my eyes on the floor, my small, boyish hands folded together down in front of me. I smelled of urine and I was embarrassed. I had been wetting myself in my sleep the whole six months I had been imprisoned in this room. They did terrible things to the boys here. Unspeakable things.

Following Olaf past the tall iron door, my eyes finally began to adjust to the light in the hallway. The humid air stank of mold and garbage. I heard the pattering and squeaking of overfed rats scuttling down the hall in front and behind me. In this section of Olaf’s estate, the rats were fed better than the boys were.

Olaf was wearing cologne and this frightened me. He was also dressed in a suit, although his pants were an inch too short and he wasn’t wearing anything as distinguished as a tie. But the suit was a stark difference from the navy pants and wool sweaters he often wore. Olaf only wore suits and cologne for special occasions. And his special occasions almost always entailed teaching me the greatest of lessons, which I was always the most afraid to learn.

I dared not speak unless spoken to as he guided me down the long, dusty hallway and outside the building. I walked alongside him obediently toward the old, yet more immaculate building I had lived in with Olaf before I attempted escape. The sun was shining brightly overhead as my bare feet went over the prickly grass. The warmth on my skin was a godsend. The clean air filling my lungs. The sweet smell of the white flowers with bell-shaped petals that grew alongside the building.

But it was gone all too quickly, as well as the sunlight, when we stepped through another door and I was bathed in a harsh orange light in the foyer and the acrid smell of incense and cigars.

Willa, in her average height and average frame, greeted us wearing a long gray dress that fell just above her ankles, and a pair of flat black shoes over thin white ankle socks. Her arms were covered by the sleeves of a white button-up top that she wore underneath the dress, the collar fixed neatly around her neck with a little four-leaf clover broach pinned to the left side. I liked Willa. She was the only person other than the boys who were imprisoned here like I was, who I didn’t want to see die a painful and horrific death.

Willa was young, but older than me by at least five years. A kind and beautiful girl of about fifteen or sixteen. She was taken by Eskill at a young age, the same as I was. But she would never be sold and was treated kindly by the other men for the most part. I never knew why.

But Willa, also like me, put on a very different face in front of the men.

And as always when I saw her, I went along with it.

“Vhy geev me the runt?” Willa snapped in a heavily broken accent, her pretty natural pink-colored lips curling with censure as she looked down at me through harsh, but beautiful green eyes. “Vhy must you always geev me ze hopeless ones?”

“Because you are the only one here, my dear Willa, who can make the hopeless ones at least appear worthy.” Olaf smiled. I wouldn’t dare look at his face, but I could tell there was a smile on it without having to see.

My body jerked forward and I nearly lost my footing as Willa’s hand yanked on my elbow. And then I saw stars when she slapped me hard across the face with her free hand, and finally my wobbly legs came out from underneath me. My bare knees scraped against the wood floor, but I kept myself from falling further, bracing my free hand against it to hold up my frail weight.

“Geet up!” Willa pulled me to my feet.

“Willa,” I heard Olaf say in a forewarning tone, “I’ve told you, not in the face. Now go. Get him cleaned up.”

“Yes, sir,” Willa said, curtsied and then turned on her heels with my elbow still clutched in her hand.

She walked me up the winding staircase to the second floor. Passing other servants in matching gray dresses, Willa grabbed me by the back of my dark, filthy hair and wound her fingers aggressively through it, pushing me along in front of her cruelly.

“I said valk straight, boy!” she growled behind me.

When the door to her quarters was opened, she gave me a hard shove and I fell through the doorway onto my hands and knees.

The lock on the door clicked behind me and then Willa was sitting on the floor next to me, pulling me into her lap and rocking me against her chest.

“I’m so sorry, Freedrik!” she cried into my hair. “You vill forgive me?”

Tears soaked my cheeks, streaking through a layer of dirt I could feel on my face. But I wasn’t crying because of the way she treated me. I was just glad to see her again.

“I’ll always forgive you, Willa.”

I felt her lips on the top of my head and it sent a rush of warmth through my body.

“Ve must get you ready quickly,” she said, helping me to my feet again. “I don’t want Olaf to have any reason to put you back in confinement.”

“I’m afraid, Willa.”

“I know, Freedrik. I know.”

She kissed me lightly on the cheek and wasted no time getting me into the bath. She was always so careful with me, just as she was with all of the boys who were placed in her care. And she never violated me. She cleaned every part of my body with a caring touch. I never wanted to leave her room whenever I was there, but I would always be whisked away soon after, to avoid suspicion and to make certain that Willa maintained her place as head servant.

After I was bathed and dressed in a clean white T-shirt and a pair of khaki pants, Willa hugged me goodbye as the kind and loving young girl, before taking me back out into the hall as the girl with the iron fist.

Minutes later, she was gone and I was back in the company of Olaf, who seemed to be waiting eagerly for me in his too-small suit and headache-inducing cologne.


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