Текст книги "Operation Barracuda (2005)"

Автор книги: David Michaels

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24

Icheck in to the hotel, go to my room on the third floor, dial the front desk, and ask to be connected to Katia's room. I expect her to be out so I'm pleasantly surprised when she picks up.

"Hello?" There's a slight puzzlement in her voice. Who could be calling her in Los Angeles?

"Hi, Katia," I say. "It's Sam."

"Oh, my God, Sam! What a surprise!"

"How are you?"

"I'm . . . I'm fine! My gosh, I'm flustered. What are you doing? Are you back in the States?"

"Yes, I am."

"What's it like in Baltimore? Still cold?"

"I don't know, I'm not there."

"Where are you?"

"Two floors below you."

She's not sure if she heard me right. "What?"

"I'm in the hotel. Two floors below you. In Los Angeles."

" Whatare you doing here?" Now she's laughing. "Oh, my God!"

"I got the message you left me at home. I was in L.A., so . . . here I am."

"This is amazing. I was just thinking about you."

"Yeah? Well, me, too, you."

"Do you . . . do you want to get together?"

"Well, duh."

"Are you hungry? I haven't had lunch yet."

"Neither have I. Let's do it."

We meet in the lobby twenty minutes later. Katia looks better than I remember. She is dressed in tight-fitting black capri pants that accentuate the shape of her long legs, a red cami, and a short black jacket. I ask her if garlic is okay for lunch and she tells me that as long as I'm having it, too, it would be great. I know a terrific place within walking distance of the hotel, just down La Cienega a couple of blocks, so we decide to hoof it. The weather in Los Angeles is slightly cool but certainly nothing like the winter temperatures back east. Neither of us needs a coat.

"How's your family?" I ask as we stroll. She takes my hand and I welcome it.

"They're good. It was a nice visit. My mom hasn't been well. She had some kind of weird infection in her toenail and the doctor was afraid she might have to lose it. The toe, that is. But the nail was removed and . . . well, you don't want to hear about that, do you?"

"I don't mind. I think I can take the image of a missing toenail."

"Anyway, I think she's gonna be fine now. And my sister is fine, too. Nutty as ever. She's getting her second divorce. I have a feeling she'll never be happy being married. She's too much of a free spirit."

"Like you?"

"Well, I'm a free spirit, too, but not like her. If she'd been around in the sixties she'd have been a hippie. What about you? Where have you been?"

"Oh, overseas. Nothing to write home about. Just the usual business."

"Yeah, right. International sales. Information gathering and troubleshooting. I remember, Mr. Mysterious."

"It's true!"

"Sure. So what are you doing in L.A.?"

"Had to make a stop. A business stop. But I've got twenty-four hours of free time."

"Aww, and you chose to spend it with me?"

"If you'd like."

"Of course I'd like."

"I dohave to get some rest, though. I'm pretty exhausted."

She punches me on the upper arm. "Don't give me that, buster. We might spend the next twenty-four hours in bed but we ain't gonna be sleeping!"

We reach the restaurant, one of my favorites in L.A.–and San Francisco, too. It's called the Stinking Rose and it specializes in garlic dishes. Katia's never been there, so she's in for a treat.

The place is nearly full, as usual, but we're a little on the late side of the lunch hour. There's no problem getting a table. The hostess must sense the romantic tension between Katia and me so she sits us in a dimly lit corner and lights a candle. Katia scans the menu and proclaims that it all sounds good. I assure her it is and suggest the appetizer of bagna calda. We order a bottle of the house red wine and settle in for an enjoyable hour or two.

"So where in the world were you, Mr. Salesman?" Katia asks. Her brown eyes sparkle in the candlelight and I'm tempted to open my soul to her. For once, the specter of Regan is nowhere around. Perhaps my late wife is looking down from the heavens and wishes me well. Regan would have wanted me to get on with my life, find someone to love. After all, Regan and I had separated and weren't living together when she succumbed to her illness. We remained cordial mostly because of Sarah but I know Regan and I continued to have enormous affection for each other. I also believe Regan would have liked Katia.

"I was in the Far East," I say. I really don't want to give away too much about my job. Obviously, Katia has guessed quite a bit. It's an ongoing debate with myself whether or not to tell her the complete truth. I suppose that if our relationship truly becomes something serious then I'll have to.

"Let's see, the Far East," she says. "That must mean . . . Japan? Korea?"

"Nope."

"The Philippines? China?"

"Nope."

"Hong Kong? Indonesia?"

"Closer."

"Look, Sam, one thing I ask is that you be honest with me." She takes a sip of wine and then looks at me intently. "I realize you have a rather hardened heart when it comes to relationships and I don't want to scare you off. I'm independent, too, and I assure you I'm not a needy person. But I've been thinking about our short time together and, well, I just think we'll have a pretty good time if we keep at it. I'm not asking for a commitmentor anything like that, but I am asking that you tell me the truth about yourself."

Before I can say anything, the appetizer arrives. Bagna calda is an awesome concoction of soft garlic cloves oven-roasted in extra virgin olive oil and butter with a hint of anchovy. Served in a little hot tub, it's spreadable on the freshly baked bread it comes with.

"My God, this is fabulous," Katia says when she tries it. "I could just fill up on this."

"It's good, isn't it? You can buy a book of recipes from the restaurant at the front desk if you're inclined to try it at home."

We order entrees and talk of other things, the question of my honestytemporarily placed on the back burner. Krav Maga is a big topic of conversation, along with our personal habits for keeping fit. She tells me a little about her life in Israel before coming to the United States. Her father was Israeli but her mother is American, hence the dual citizenship. After her parents' divorce, her mother brought Katia and her sister to California. Her father died of heart failure six years later.

The food arrives and it's overwhelming. She has the lemon-baked Atlantic salmon with garlic caper sauce served with acini di pepepasta. I go for the garlic-roasted medium-cut prime rib, which comes with, naturally, garlic mashed potatoes. As I tell Katia, the Stinking Rose is a great place to take a date because you know you'll both have bad breath afterward.

Halfway through the meal the conversation returns to what I do for a living. She mentions that she loves to travel but doesn't get to do it very much. "You're lucky. It must be nice being able to go places in your job," she says.

"Sometimes it is. Depends."

"On what?"

"On what I have to do there."

"Sam, you dowork for the government, don't you? Come on, your secret is safe with me."

I don't commit to an answer, but I do shrug my shoulders to indicate she's on the right track. It's the best I can do.

"I knew it. Look, I've known other men that work for government agencies. I dated a CIA guy once. We went the longest time before I found out what he did for a living and it really pissed me off."

"Why?"

"Because he'd been lying to me. He told me he was a lobbyist. He exhibited all the same signs as you–he was secretive about his job, he was gone for long periods of time, he was unbelievably fit for his age, and he was a devotee of martial arts. Believe me, Sam, I know the type."

"And that's my type?"

"Isn't it?"

I let that one ride. The meal continues pleasantly and the conversation moves along to safer subjects. At one point during dessert–we share the Irish coffee chocolate brownie mousse–I feel her bare foot brushing against my calf. She's removed her shoe and has begun to rub my leg, inching higher and higher until her foot is in my lap. She presses her toes into my crotch, all the while looking at me with a glint in her eye that means business. I'm suddenly immensely aroused, a reaction I know has to do with coming back from a life-or-death assignment. The NSA psych doctors who examine me every year always express surprise when they learn of my years of celibacy. Most guys who perform dangerous missions for the government have a libido that won't quit. Maybe that's now finally coming to the fore.

"What say you we pay the bill and get the hell out of here?" I ask.

"I was wondering when you were gonna suggest that," she says, a mischievous grin playing on her wet lips.

WEspend the rest of the afternoon and evening in my room at the hotel. The sex is as intense as it was on my birthday back home in Towson. Katia is insatiable, it seems, and I no longer feel the fatigue that was plaguing me when I arrived in California. Maybe it's the pheromones surging through my body or something like that, if you believe in that kind of stuff. Whatever it is, the chemical reactions in my loins don't fail to do the job.

By nine o'clock that night we're hungry again. I order room service and we have a couple of sandwiches and sodas. We sit on the bed, naked, eat our dinner, and laugh at the absurdity of how we must look. After the meal Katia offers to give me a massage and I readily accept. As she works me over with her strong hands I begin to feel tired again. I'm wonderfully relaxed and seem to be floating on water. The next thing I know, the room is pitch-dark and Katia is in bed next to me. I must have fallen asleep during the rubdown. The digital clock on the nightstand reads 2:35. I slept for a good six hours.

I quietly slip out from under the sheets and sit for a moment just watching Katia. She's sleeping soundly. In the dim light her dark curly hair, spread over the pillow, looks like splashed paint.

Yes,I think. This could be it. The years of celibacy are over. My daughter, Sarah, just might have to get used to me being with a new partner. I'm not thinking about marriage or anything that drastic. I'm not even sure I'd want to live with Katia. But I do know I want to continue seeing her. If what she said about both of us remaining independent is true, then the relationship might be ideal. I suppose I'll just have to cross each bridge as I come to it. For now, though, I feel . . . happy.

As if on cue, though, my OPSAT beeps quietly. I grab it, shut off the noise, and see the text message from Coen. All the details I need to find GyroTechnics have been beamed to me. Agent Kehoe has reported that the building was mysteriously evacuated and as of midnight no one is there. Lambert suspects that Mike Wu's arrest has prompted the firm's management to take some drastic measures. Lambert wants me to get over there as soon as possible.

Katia stirs and opens her eyes. "What time is it?" she mumbles.

"It's the middle of the night," I say. "Go back to sleep. I'll be back in the morning."

She sits up and asks, "Where are you going?"

"I have a job to do. I'll be back. I promise."

"Are you in danger?"

"No. Katia, go back to sleep. I'll be back when it's time to get up."

Her brow wrinkles and there's a moment when I fear there might be a conflict of interests. But instead she smiles, reaches out, pulls my head toward hers, and kisses me.

"Just be careful," she whispers. She then lays her head back onto the pillow and closes her eyes. She adjusts her body beneath the sheets and snuggles over onto the warm spot I left on my side of the bed.

I get dressed in my uniform and leave the hotel in the Murano.

25

Ifind GyroTechnics easily enough. It's an odd place to stick a technology development company–isolated in the hills, surrounded by trees, standing at the end of an unmarked gravel road–but then again it's a firm doing illegal shit. If what the FBI discovered is true, and I don't doubt it for a minute, the place is financed and run by a Triad. It just goes to show that these criminal organizations like Triads, Yakuzas, and Mafias are branching out beyond their normal expected enterprises like drugs, arms, prostitution, and gambling. Now they're in the global crime market and that means sponsoring and developing technology to use in committing offenses.

I park the Murano on Norman Place and walk to the gravel road. I stay off of it, though, electing to make my way through the dense growth of trees. With my night vision activated, it's not a problem. I come to the wire fence and can now see the futuristically designed building that is GyroTechnics. A couple of floodlights illuminate the empty parking lot but otherwise the place appears deserted. I draw my Five-seveN, attach the noise and flash suppressor, and aim at the floodlights.

Bing, bing.

Now the grounds are pitch-black, dimly lit only by the hazy night sky. I climb the fence, dart to the employee entrance, and find a code access keypad next to the door.

Pressing my implant, I say, "Hey, Anna, are you there? I need an access code for GyroTechnics."

"Hold on, Sam," she answers. "I thought I'd have it for you by morning and didn't know you'd be ordered to infiltrate the place at this hour."

"Well, I'm standing out here in the dark. Hurry."

I suppose I could blast the damned thing but it would probably set off all sorts of alarms and the police would show up before I could say "Oops." Instead I circle the building and look for another entrance. The really odd thing about this place is that there's no front door for Joe Public. The only people that go in and out of GyroTechnics are employees. UPS must bring deliveries to the back door and the postman shoots the mail through a slot. I guess the management doesn't do much in the way of entertaining clients.

Before Grimsdottir comes back with the access code, a pair of headlights swings toward the building. Uh-oh. I make a run for the fence but have no time to climb it. I hit the dirt and lie facedown as the car pulls into the parking lot and stops. It's a Corvette. The driver extinguishes the lights and gets out. He's alone. It's too dark to discern who it is, even with my night vision. He's Asian, I can tell that much.

The guy goes to the employee entrance and punches in the code. The door opens and he's inside. I quickly get up and run to the door, switch my goggles to thermal vision, and note the keys that are still warm from his touch–9, 7, 2, 0, and *. I have no idea in what order they're supposed to be. I snap a shot of the keypad with my OPSAT camera and adjust the controls so the thermal readings are indicated on the screen. Usually I can make an educated guess as to which keys were pressed first and last–the first one will be the dimmest and the last one will be the brightest. The difficulty is if a key is pressed more than once.

I take the chance and press the combination I think might be the one. It's like playing roulette in Vegas–the odds are outrageously against me. Of course, nothing happens. I try a slightly different combination and again come up with zilch. Sometimes these keypads are rigged to set off an alarm if someone tries incorrect codes more than three times. Should I risk it? As far I know, there's only one guy in the joint. I imagine I can take him, but it's possible the alarm could bring others.

Before I take the risk, another pair of headlights swings toward the building from the gravel road. Damn! Once again I move around the corner of the structure, where I figure it's safe to wait. The new car, a Porsche, parks next to the Corvette. Again, the driver is alone. He extinguishes the lights, gets out, and goes to the door. I watch as he punches in the access code but the door doesn't open. He knocks. After a moment, a voice on the intercom answers.

The new guy can't remember the code. I quickly draw the Five-seveN and activate the T.A.K. Aiming it at the door, I hear the following conversation in Chinese:INSIDE GUY: What do you mean, you don't remember the code?OUTSIDE GUY: So sue me. What is it?INSIDE GUY: Nine-nine-seven-two-two-zero and star.OUTSIDE GUY: Thanks.

He punches the correct numbers and the door opens. Once he's inside, I hear Grimsdottir in my ear. "Sam? We have that code for you now."

"Never mind. I have it," I say.

"It's 9-9-7-2-2-0 star."

"I saidI have it. Thanks."

"Oh. You're welcome."

Brother.

I wait a minute and then go to the door. I punch in the code and hear the lock disengage. I peer inside and see an empty corridor illuminated by overhead fluorescent lighting. Slipping inside, I'm aware of voices at the end of the hall. The two men are speaking in Chinese and it's difficult for me to understand them at this distance. I move farther down the corridor and slide into what appears to be a break room. There are vending machines, a couple of tables and chairs, a microwave and kitchen fixtures, and an employee bulletin board. Tacked onto the board are a couple of dozen color snapshots depicting a company picnic. A hand-printed banner reads, in English, HOLIDAY PICNIC, MARINA DEL REY HARBOR. I take a moment to scan the photos. They're the usual silly poses you see at company-sponsored events–people making goofy faces with beers in hand, a guy grilling burgers and hot dogs, a group playing volleyball. Someone has labeled each photo with a small piece of paper written in Chinese: Ken making dinner, Joe and Tom getting drunk, Kim and Chang score a point. All the subjects in the photos are Chinese and are of varying ages, mostly men. I'm about to turn my attention back to the two guys in the building when I notice a shot of Eddie Wu staring at me. I'm sure it's him. He's standing on the deck of a motor yacht docked at one of the marinas. The boat is named Lady Lotusand from the proud expression on Eddie's face it appears as if he's the skipper. Sure enough, the label proclaims, Captain Eddie and his boat. I take the snapshot off the board and stuff it in one of my pockets, then turn back to the hallway.

The two men move deeper into the building. I creep along the corridor, moving from corner to corner, until the duo go inside a couple of swinging doors marked, in Chinese and English, DEVELOPMENT. Each door has a square window and through one I can see one of the men, his back to me, fiddling with something on a worktable. It's not a leap in logic to assume that the room they're in is the lab–the place where the GyroTechnics employees build all their crap.

I remove the optic cable from my backpack, switch it on, and slowly feed it along the floor and underneath the swinging doors. The headpiece just fits so I slide it through about an inch. I then open up the lens to a fish-eye and adjust the focus on my OPSAT. I now have a fairly clear picture of what's going on in there. A flick of a switch turns on the audio, which is transmitted to my implants.

The two men are busy creating explosives. One of them has a block of nitro from which he squeezes a little at a time, like toothpaste. The stuff goes into a metal cylinder that the other guy places in hockey-puck-shaped containers wired with detonators and timers. They're very similar to my own wall mines.

The conversation, being in Chinese, goes by fast but I'm able to pick up words here and there. I'll be able to have the team in Washington translate the whole thing later.FIRST GUY: . . . Eddie . . . in big trouble . . .SECOND GUY: I wouldn't want to be in his shoes.FIRST GUY: And he has the . . .SECOND GUY: Ming will find him.FIRST GUY: . . . can't hide forever.SECOND GUY: I still don't understand why . . . to destroy . . . the place.FIRST GUY: Orders from Hong Kong.SECOND GUY: . . . get rid of the trail?FIRST GUY: Exactly.SECOND GUY: Where did everyone . . . ?FIRST GUY: They've been moved out. Some will go back to Hong Kong. The scientists that defected will be placed in new positions somewhere else.SECOND GUY: . . . some dumb town in Arkansas . . . ( laughs)FIRST GUY: ( laughs)SECOND GUY: Are you almost done?FIRST GUY: Yeah. Here. You need to set the timers.SECOND GUY: What do you think? Ten minutes?FIRST GUY: Five. No, make it eight. Just in case our cars don't start. ( laughs)SECOND GUY: ( laughs)FIRST GUY: So do you know where Eddie . . . hiding?SECOND GUY: No. At least I think I know where he'll be . . . LAX tomorrow.FIRST GUY: How do you know that?SECOND GUY: I helped arrange it before Ming told me to shut down the firm.FIRST GUY: You talked to . . . ?SECOND GUY: No, Eddie did. I arranged the flight. It's not easy dealing with Russians.FIRST GUY: He's coming from Russia?SECOND GUY: No, he's coming from Hong Kong. Eddie will . . . meet . . . at LAX . . . American Airlines . . . or send someone . . .FIRST GUY: . . . reward, you know? Ming said so.SECOND GUY: I know, I know. Let's finish this job first. Then maybe we can meet the plane tomorrow, too. We follow the Russian, we'll find Eddie.

The two men begin to gather their materials. They've made, I think, eight explosives. I retrieve the optic cable, coil it, and place it in my backpack. One of the men leaves the room and takes a nearby staircase to the second floor while the other one places two or three of the devices within the lab.

Damn, they're about to blow up the place. Jon Ming must have heard of Eddie and Mike Wu's betrayal and ordered GyroTechnics to be closed down. The hard way.

Maybe I better get the hell out now. While the two arsonists are busy planting their devices of destruction around the building, I leave the way I came in. It takes me three minutes to jump the fence, run through the trees, and find the Murano.

In exactly six minutes and twenty seconds, I see the Corvette and the Porsche emerge from the gravel road, turn onto Norman Place, and drive past me down the hill. I start the engine, make a U, and follow them.

Right on time, I hear a tremendous sonic boom behind me. The ground shakes as if an earthquake has struck. In the rearview mirror I see that the night sky is orange and yellow. The blast sets off dozens of car alarms in the area and now the hills are alive with the sound of honking.

When I get to the bottom of the hill, the two arsonists are gone. I'm not concerned about them. They're just soldiers. What interests me is what they said about meeting a plane at LAX tomorrow. I'll have to get the complete translation but from what I could gather, Eddie Wu is meeting someone from the Shop at the airport tomorrow. The Russian is flying in to close the guidance system deal. Could he possibly be Oskar Herzog or Andrei Zdrok? Zdrok surely wouldn't dare set foot in the United States. I'll let Lambert deal with the logistics of what wecan do to meet that plane.

Sirens fill the air now. As I turn onto Sunset Boulevard, two police cars zip around me, lights flashing. A fire truck, its horn blasting, is not far behind.

I press my implant. "Frances? Are you there?"

"I'm here, Sam."

"Is Lambert around?"

"No, he's asleep."

"Do you ever sleep?"

"Never. Field Runners load up on coffee twenty-four hours a day."

I pull out the photo I took off the bulletin board and look at it as I drive. "Listen, do we have any information about Eddie Wu owning a boat? A yacht, maybe?"

"Hold on."

While she's looking, I get on the 405 and head south toward Marina Del Rey. If my hunch is right, I think I might know where Eddie is hiding.

"Sam?"

"Yeah?"

"There's nothing in the files. But FBI agent Kehoe's last report stated that he was investigating a lead at Marina Del Rey Harbor. He's been on Eddie Wu's trail."

"The FBI is sharing that with us?"

"Yeah, apparently we really arecooperating on this one."

"Where's Kehoe now? Can we get in touch with him?"

"I don't know. Why?"

"I think I have a lead in Marina Del Rey, too. I'm going there now."

"Hold on, I'll check with my counterpart at the Bureau."

I exit onto 90 and am heading for the coastline when she comes back on the line. "Sam, Kehoe's last report was transmitted two hours ago. He was observing a boat at Pier 44 at Marina Del Rey Harbor. He's supposed to check in soon."

"Doesn't he have a partner with him?"

"No."

That isn't right. Don't FBI agents always take backup with them when going into a situation like this?

"Mr. Nudelman tells me Kehoe went off on his own because the L.A. Bureau couldn't spare another man tonight," Coen adds, answering my unasked question.

"Kehoe sounds like some kind of cowboy. He could get himself killed," I say.

"Can you tell me what you're thinking?" she asks.

"It's just a hunch I have. Let me check out something and I'll get back to you."

It's four-thirty in the morning. I can find the Lucky Lotus, see if anyone is there, and still might make it back to the hotel before Katia wakes up.

26

PIER44 is on a section of the marina called Mindanao Way. The harbor itself is part of Santa Monica Bay and is supposedly the largest artificial small-craft harbor in the world. (My OPSAT automatically comes up with these facts when I'm mapping out a location.) It also tells me that the harbor consists of over eight hundred acres. The breakwater is 2,340 feet long and there are two miles of main channel. It's an ultimate example of joint planning and implementation of a major metropolitan recreation site. It's too damn bad I'm not a yachtsman!

I get off of Highway 90 at Lincoln Boulevard and then turn right onto Mindanao Way. I park the Murano on the street and walk toward the pier. Nightlights illuminate the marina but there are plenty of dark spots to use for cover. Moving from shadow to shadow exposes me for a second or two but I'm not going to worry about it. Eventually I arrive at Pier 44, a private outfit that rents slips to those with the dough to pay for these kinds of things.

Eddie's Lady Lotusis a ninety-four-foot Eagle/Westport Cockpit motor yacht. The lights are on in the salon and galley so I know there are people aboard. I see no sign of Agent Kehoe.

"Frances, you still there?"

"I'm here, Sam."

"Send me the blueprints for an Eagle/Westport motor yacht. Ninety-four-footer."

After a moment she asks, "You know what year?"

"I'm guessing latter half of the nineties."

"I have three to send you."

I go through the plans one by one and settle on the 1996 twin diesel engine model. It's a match for the Lady Lotus.

If anyone needed proof that being a member of a Triad is lucrative, then this is it. I have no clue what a yacht like this might cost but I'm sure it's in the millions. It's a beauty, all right. And very private, too. There's a walk-around deck but most of the floor space is inside. From the blueprints, I see there are three staterooms, three heads, a very large main salon, a sizable galley, and a comfortable pilothouse.

Now if I can climb onto the boat without rocking it and alerting everyone inside that they've got company . . . The only way on is by traversing the ramp from the dock to the deck. I'm about to do that as gently as I can when someone comes out from below. It's a goon, someone whose job it is to keep an eye on the harbor. The guy's most likely armed. I duck into the shadows as he scans the pier until he's satisfied they're alone. Then he lights a cigarette and strolls along the walk-around deck at a snail's pace. I wait until he's on the opposite side of the boat, masked by the pilothouse, and then I swiftly move up the ramp and onto the deck. With the lookout walking around the outside of the boat, I figure that any extra noise I make will be mistaken for him.

I move aft and crouch, ready to spring at the guard as he comes around the yacht's stern. I hear him approaching, closer . . . closer . . . and then I rise and deliver a solid punch to his nose. Before he can utter a sound I lunge forward, slap my hand over his mouth, move around him, and then lock his neck inside my free arm. The choke hold takes roughly thirty seconds to render him unconscious. When he's limp in my arms, I silently lay him on the deck.

Since the lights are on in the salon, they can't see out the windows. The glass is tinted so I don't have a very good view of what they're doing in there. To compensate for this disadvantage, I pull out the optic cable again and thread it into the gangway leading below. It doesn't have to go very far before I'm able to see the entire salon.

It's roomy, with a sofa, dining table, stabilized chairs, a television, stereo system, and even a dartboard on the wall. But a plastic sheet covers the floor and in the middle of the sheet is a man with his hands tied behind his back. He's lying on his side with his knees to his chest. His face is covered in blood.

I'm guessing it's Agent Kehoe and he's not moving at all.

Eddie Wu sits in a chair, looking at his victim. Wu wears leather gloves and an apron that is splashed with Kehoe's blood. Two more Chinese hoods stand on either side of the helpless man.

"Now we know what happened to Kehoe." It's Lambert in my ear, obviously awake now. Coen must have got him up. They can, of course, see everything I see through my headset.

"Try to take 'em out, Sam," he says, "but we need Eddie Wu alive."

I quickly retract the optic cable and stuff it in the backpack, and then remove a CS gas grenade from my trouser pocket. The CS gas is good for knocking out the enemy if it's used in a confined space such as the yacht. In larger areas the CS is more of a deterrent, like tear gas. Third Echelon also supplies a CS grade that is lethal but I rarely carry it unless I know I'm going to need it.

Grasping the grenade in my right hand, I pull the pin just as a bullet sears past my head. I feel the heat of the thing on the bridge of my nose–too goddamned close! The round smashes through the tinted glass, alerting the men inside of my presence. I hit the deck as another round streaks above me. Someone is on the marina taking potshots at me!

"Damn, where the hell did he come from?" Lambert says. "He was well hidden from our satellite. Sam, the SAT images reveal the sniper to be one man," Lambert says. "Repeat, it's one guy."

Before I can adequately plan a defense strategy, the two Chinese gunmen appear on deck. They're armed with semiautomatics, which they're all too eager to point at the guy in the strange uniform that they see lying at their feet. The only thing I can do is to toss the live CS grenade into the air, right in front of their faces. I roll myself into a ball, covering my head as the damned thing explodes. The two men scream in pain and surprise. One of them falls off the boat, hitting his head on the edge of the dock as he plummets into the water. The other guy tumbles back through the gangway into the salon. The gas is affecting me and I find it difficult to crawl along the deck to the other side of the boat. At least the sniper can't get at me there. I take a moment to breathe the fresh air, clear my head, and attempt to ignore the ringing in my ears. Finally I stand, lower my goggles, and switch on the thermal vision. Using extreme caution, I peer around the foredeck and focus on the marina. Sure enough, I see the heat-outlined shoulders of a man crouching behind a collection of barrels on the pier. He's got a rifle, probably a tactical sniper model, and he's ready to fire again. I draw the Five-seveN and aim but he shoots at me, forcing me back behind cover.