Текст книги "Splinter Cell (2004)"

Автор книги: David Michaels

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Текущая страница: 10 (всего у книги 18 страниц)

Basaran orders a dry red wine made in the region along with raki, an aniseed drink a lot like Greek ouzo or Arab arak–it burns wonderfully on the way down. We start with appetizers, or mezeler, consisting of finely chopped salad, roasted pureed eggplant, and pepper and turnip pickles. A lentil-and-mint soup enriched with an abundance of paprika follows. The main course is a lamb casserole, filled with cubed roasted meat, green beans, tomatoes, eggplant, zucchini, peppers, and a lot of garlic. A good adjective to describe Turkish meals is hearty.

Basaran begins the conversation by saying, "I just heard on the news that there was another terrorist bombing attributed to the Shadows."

"Oh?" I hadn't heard anything.

"In Iraq again. A motorcade carrying two members of the Iraqi government was targeted. They were both killed."

I shook my head. "That's precisely why the nations of the world have to get together on this."

He looks at me skeptically. "But Mr. Fisher, you are from Switzerland, right? Are not the Swiss notoriously neutral when it comes to the problems of the world?"

"That's a misconception, I'm afraid," I answer. "Just because we don't participate in wars doesn't mean we don't care."

"What do you think of the United States' policies in the Middle East?"

Yikes. I have to be careful here. I don't want him to suspect that I'm not really from Switzerland.

"I suppose I'd have to say that it's . . . disappointing," I reply. I don't like admitting it to myself–I actually believe that.

"Ha!" he says loudly. "Disappointing is an understatement. Look, I was no admirer of Saddam Hussein and I sympathized with Iran during the Iran-Iraq war, but what the United States did in Iraq was monstrous. How stable is that country going to be from now on? There will always be insurgents wanting to take it down again, simply for the purpose of showing the world that America made a big mistake. Sometimes a country's culture requires that the people be told what to do. Democracy doesn't work everywhere."

"I think America must have learned that lesson from Vietnam, don't you think?" I suggest.

"Bah. They learned nothing. Or if they did, they forgot it. Don't you agree that American policy in the Middle East has turned many of their former friends against them? The Arabs hate them. The Turks, well, I can say many of them hate America. Not all. But overall, Muslims have been given the impression that the U.S. is out to stamp out their religion."

"We both know that's not true," I say. My hackles are starting to rise.

"We do? Oh, I see, then it's really about oil! Am I right?"

I have to keep my thoughts close to my chest. "Oil is a very valuable commodity, not only in the U.S. but all over the world. Keeping a stable Middle East is important for everyone, not just Americans with their freeways and sports cars."

Basaran shrugged. "I suppose you're right. Still, I fear that Arab opinion of America has been so badly damaged that recovery may be impossible."

I tend to agree with that statement, but I think it's best to change the subject. "So, tell me, how did you get so interested in fighting terrorism? Or rather, providing relief for terrorist victims?"

"Everyone has a passion, don't they? Mine is helping victims of evil doers. I have seen first hand the tragedy that befalls families when their loved ones are killed by a suicide bomber or by a land mine or by a hijacked airplane that is flown into a building."

"Forgive me if I'm being too outspoken here, but I sense that terrorism has affected you personally."

Basaran's eyes cloud over for a second. I hit a nerve, I know I did. "Doesn't terrorism affect everyone personally?" he asks, avoiding the question.

"The thing is, terrorism is a means to an end that really doesn't accomplish what the terrorists hope to achieve," I answer.

"What do you mean?" he asks.

"Governments don't usually change their policies because of terrorism."

"That's not entirely true," he says. "Look what happened in Spain when the Madrid train was bombed. The people voted out the existing government. Make no mistake–terrorism makes its point in a number of ways. People today are more frightened of terrorism than of anything else. Look what's happening in Iraq. That can't go on forever. Pretty soon something will break and the terrorists will win there."

"Do you really believe that?" I ask.

Basaran suddenly slams his fist on the table, startling other diners around us and surprising me. "Iraq will fall again! I know it will. Iraq will fall and American interests in the region will be in jeopardy. You just wait and see!" He quickly gains composure and says, "Forgive me. I get carried away sometimes."

The outburst seems to have come from nowhere. Does Namik Basaran have something against Iraq? It's obvious he's not fond of American foreign policy, but there's something else at work here. I decide to steer the conversation in yet another direction.

"Mr. Basaran, we were talking earlier about the Shadows, and we didn't get around to discussing the Shop. Can you tell me anything about them?"

Basaran appears embarrassed by his show of emotion. He sits for a few seconds and sips his raki as if he's considering what information he should reveal.

"The Shop," he begins, weighing his words, "are despicable. From what I can gather, they are interested only in making money. They do not care whom they harm in the process. They don't give a damn about political, religious, or sociological issues. They provide a service and they're very good at it. There have been many clandestine arms dealers in the world but none as nefarious and well organized as the Shop."

"Who are they? What's their chain of command?" I ask.

"No one knows. It's run like a mafia family, though. There's a boss and his trusted lieutenants, and then each lieutenant has an order of battle beneath him that spreads like a genealogical chart. They have their fingers everywhere, not just in the Middle East. I imagine they have a branch in Switzerland, my friend."

"I don't doubt it."

"As for the leadership? It is rumored that the Shop is led by a small group of wealthy bankers, former military officers, and corporate presidents from Russia and the former Soviet satellites."

"Russia. That's what I've always thought. Any idea of who the big boss is?"

Basaran looks around to make sure no one is listening. He leans forward and whispers. "I've heard a name. I don't know how accurate it is. Have you ever come across the name Zdrok?"

Interesting. It's the name Rick Benton had written on his chart. It's also the name of a man I heard Basaran curse earlier today.

"I may have heard that name before," I say. "Who is he?"

"Andrei Zdrok. He's from Georgia, I believe. Very wealthy financier. If he is not the head of the Shop, then he's very high in its bureaucracy."

"Have you ever met him?"

Basaran shakes his head. "Of course not. As I said, I don't know if he exists. It's just a name that has come up. It may mean nothing."

I doubt it. I sit back and reflect on this. Basaran has just lied to me. He wouldn't curse a man that didn't exist. I now know I can't trust Namik Basaran any more than I can trust the terrorist I called No-Tooth. I'm going to have to take a closer look at Akdabar Enterprises after the sun goes down.

We are served strong coffee– kahve–and baklava for dessert. Finally Basaran offers me a Turkish cigar, and we sit for a few minutes gazing out the window at the dark lake. Turkish tobacco is pungent and produces thick smoke. I make a show of smoking it but try not to inhale.

"I love it here," Basaran says. "The sunsets on the lake are particularly rewarding."

"Are you from here originally?" I ask.

"Actually I'm from a small village at the foot of Mount Ararat called Dogubayazit. Do you know it?"

"I'm afraid not."

"Drab little place. I was happy to leave when I was old enough."

"You've managed to build yourself a very successful life."

Basaran waves his cigar. "Luck. A little luck and making some smart investments. That's all. I'm not qualified to really doanything. I'm good at running my company. It helps to have vision, I suppose. It took vision to imagine the shopping mall in Northern Cyprus. That's a project that comes from the heart."

"When do you foresee the mall being finished?"

"It almost is! It's been under construction for three years. I expect to open the doors within weeks, but I hope to have a completion ceremony in the coming days."

"Congratulations."

"Thank you."

"And what does the Republic of Cyprus have to say about it?"

He waves his cigar again. "Those damned Greek Cypriots can go hang themselves. They'll be in a bother for a while and then settle down. That's the way things are in Cyprus. It heats up for a period, then cools down. It keeps everyone on his toes. What's important is that the opening of the shopping mall will show the world that the Turks are in Cyprus to stay."

I wonder if the south will be that easily conciliated. For a guy who spends a lot of money, time, and energy supposedly fighting terrorism, Basaran sure is opinionated about politics. Reza warned me as such.

When the waiter brings the bill, Basaran snatches it up and waves his cigar again. "Do not protest. This is my pleasure." He looks at his watch and says, "Alas, I must call an end to our very pleasant evening together. I do wish you luck with your Interpol report, Mr. Fisher. I hope to have a copy of it when it is published."

"Certainly. Thank you very much for the dinner."

"Not at all."

We stand after he leaves a stack of bills on the table. We say good night to the maitre d' and step outside into the brisk night air. The big bodyguard appears from the shadows to stand beside his master. Basaran holds out his hand and I shake it. "Good night, Mr. Fisher. Pleasant journeys."

"Thank you. You, too."

I have to cross the surprisingly busy main street that cuts through the square. I wait as five cars rumble by and casually look back to the restaurant and see Basaran and the bodyguard still standing there, watching me. I give them a little wave and Basaran does the same. I turn back to the road and see the approaching headlights of a sixth car some distance away. I figure I can make it across the square before it gets here. As I step off the pavement, the car's wheels screech and the vehicle speeds toward me.

For the first time in my life I freeze. Even as it's happening I realize I'm unable to move and I don't know why. Normally I would have reacted by instinct and leaped to the side, but for some reason that I cannot fathom I don't know what to do. I'm a deer on the road, caught in the beams.

Something prompts me to look back at Basaran. He, too, seems to be frozen in place, his eyes glued to me. Why isn't he moving? Shouldn't he be shouting "Mr. Fisher, look out!" or something like that?

And that's what jars my senses. It's hisreaction to what's happening that causes me to break out of my immobility. The headlights are a mere couple of car lengths away, propelling toward me at ninety miles an hour. I leap away, fall on my hands, and roll backward just as the car roars past. It's an old Citroen. I turn my head to watch them, and the car screeches to a halt, half a block down. I see the silhouettes of three men inside. Namik Basaran and the bodyguard are still behind me in front of the restaurant and haven't moved.

The Citroen's driver throws the car into reverse and begins rolling back at a high speed. A guy in the passenger seat thrusts his upper body out the window and leans over the hood–and he's holding an AK-47. I jump to my feet and run for cover, but there's nothing but the storefronts behind me. The shooter fires and the street becomes a crashing war zone. I slam forward and hit the ground as bullets rip over my head. The windows of the travel agency behind me shatter, and someone inside shouts. The Citroen squeals to a halt again, ready to move forward for another volley. I'm aware of other civilians, alerted by the noise, looking out of restaurants and shops.

When the gunfire begins again, the bystanders scream and run. I realize I have to lead the killers away from the pedestrians, so I do what might be considered a foolhardy thing and jump to my feet. I run into the middle of the road and stand behind the Citroen as it moves along the street. They seem to have lost sight of me. Should I run for my car? It's about fifty yards away in a small lot on the opposite side of the square. No, it's too risky. By the time I got there, they'd be on top of me. The Pazhan could never withstand a round of fire from an AK-47.

The shooter points and says something to the driver. They've spotted me. The Citroen performs a wild U-turn and accelerates in my direction. I run to the opposite side of the square, the side next to the water. A short brick wall separates the road from the marina and a small lot where seven or eight cars are parked. I sail over the wall just as the bullets begin to fly again. Chips from the stones in the wall scatter like shrapnel, so I hug the ground. I hear the car zoom past, shriek to a stop, and back up, swerving closer to the edge of the road.

This time my instincts don't fail me. I roll like a log toward the parked cars and then squirm between a Chevrolet pickup and a Volkswagen. The passenger sprays the side of the street, perforating the two vehicles with dozens of bullets. Windshields and headlights explode and tires are blown. I snake beneath the pickup as the rounds ricochet within inches of my body. The noise is deafening and must surely be attracting the local police. I hopeit's attracting the local police!

I crawl on my belly out from under the front of the pickup, putting the truck between them and me. I keep low and rally toward the dock where dozens of small boats are moored. The guy stops shooting, but I hear the Citroen's door open and slam shut. Now they're on foot.

I run to the edge of the dock and weigh my options. I could jump into the water and swim. Or I could jump into one of the sailboats to my left or right, but by the time I untie one and push it off, they'd be in the boat with me. The last recourse would be to draw my Five-seveN from the holster I wear at the small of my back and fight back. That could cause problems with the local authorities, though, and my mission is too sensitive to get involved in foreign legal problems. I don't fancy spending the rest of my life in a Turkish prison.

The shooter appears at the other end of the dock. He raises the AK-47 and fires. The wood splinters in a million places at my feet as I turn and dive into the cold, murky water.

It's a shock. Thank heavens I'm wearing my uniform; otherwise I'd be freezing. It's dark as hell, but I don't risk using the LED on my OPSAT for illumination. They might be able to see me from the surface.

As I swim away from the shore, bullets chop through the water, producing that otherworldly slow-motion effect you get when you fire a gun into water. Even in the pitch black I can see the trails of the rounds cutting lines on all sides of me. One comes dangerously close to my ear, and I feel the heat emanating from it as it groans past. I quickly reverse direction and swim back toward the dock and hope they can't see me. I'm pretty good at holding my breath. That's another thing that Krav Maga classes teach you–stamina and resistance to pain. My lungs are strong–the last time I timed myself holding my breath, I clocked a little less than four minutes. It was Katia Loenstern that pushed me to achieve a score past three minutes. I'll have to remind myself to be nicer to her when I get back to Baltimore.

I make my way to the line of sailboats on one side of the dock. I feel the hull of the first one and swim on, past the second and third. I figure it's been at least two minutes since I submerged because my lungs are burning. When I can't take it anymore, I dare to surface between the boats so I can catch a breath. As I hold on to the side of one of the rocking crafts, I hear two men talking on the dock above me. They're down at the end, maybe thirty feet away. It sounds as if they're arguing. I can't understand the language, but I know it's not Turkish. Actually it sounds like Farsi, but I'm not positive.

The man with the gun suddenly lets loose with another barrage of gunfire into the water, and the other one shouts at him to stop. More arguing. Then I hear the men walk toward the shore, their boots clomping on the wood above me. I dunk my head and position myself directly beneath the sailboat and wait. More gunfire darts the water between the boats, but I'm safely out of the way.

Where the hell are the police in this town? This is one time when I wouldn't mind some interference.

Another minute passes and I feel the pressure in my chest. The gunfire stops and I need to suck some air, but I'm not moving yet. I wait at least another thirty seconds–when I know I can't take it anymore–before coming back up. When I do, I gasp for oxygen as quietly as possible and listen. I hear nothing. They're gone. Maybe they think I'm dead.

I wait another three minutes before pulling myself up and onto the dock. I walk back to the square and hear a police siren approaching from the distance. The Citroen is gone and the street is deserted. I run to the Pazhan and get in, even though I'm soaking wet. I start the car, back out, and head out of town before the cops arrive.

I do notice that Namik Basaran and his goon are no longer standing in front of the restaurant.

21

AFTERmidnight I park the Pazhan on the hill overlooking Akdabar Enterprises and survey the scene. There are plenty of floodlights illuminating the compound, and I see a handful of security guards patrolling the premises. This isn't going to be easy.

First I tune in to the bugs I left in Basaran's office. The OPSAT's silence tells me that the room is empty. I quickly leave my civilian clothes in the car, take my SC– 20K and sling it over my shoulder, adjust my headset and goggles, regulate the temperature control of my uniform, and I'm off.

Once I'm at the bottom of the hill near the wire fence, I crouch behind a large shrub to assess the situation. Two huts are directly across the fence from where I am–and this will be a good place from which to operate. I wait as a guard walks past, between the huts and the fence, heading toward the front gate. His beat must be this entire side of the compound–so I estimate his return trip to be a little less than ten minutes.

Armed with heavy-duty wire cutters, I clip the fence enough so I can bend the loose section out far enough for me to slip inside. I close this "trapdoor" behind me and carefully position the cut ends together so that unless someone carefully inspects them, the fence appears normal.

I quickly skirt to the space between the two huts and pause to map out my plan of attack. I want to hit the administrative building, especially Basaran's office. I'd also like to get inside the Tirma office and see what I might find in there. Finally, the big warehouse and steel mill must hold some secrets. It will be a busy night.

I decide to begin at the end of the complex near the lake–the Tirma building and Basaran's office–and then make my way back this way. The key is to stay in the shadows. My uniform is embedded with photosensors that detect and let me know how much light falls on me. When I switch on the OPSAT meter, I can see exactly how invisible I really am. At the moment I'm at thirty-two percent. It's very luminous throughout the compound, and my only screens are the broad shadows of buildings, cast by the floodlights. Walkways between buildings are so bright it's like daylight.

The corner periscope comes in handy here. I use it to look around the corner of the hut and determine that the walkway is clear. I scan the pole supporting a floodlight and don't spot any cameras. I go for it.

I run across the walkway and stop at the next building, my back to the wall. I then inch around to the next corner and repeat the process. I count six buildings between my goal and me. It goes smoothly until I reach the fifth building. The periscope shows two guards in the walkway, smoking and talking. I have to find a way to distract them, so I take the SC-20K off my shoulder and load it with a diversion camera. If I wanted to, I could set the camera to also trigger CS gas, but I don't wish to leave traces of my presence if I don't have to. The main thing is simply to get the guards out of the way.

I load the gun and aim at a building directly in line from where I am, some fifty yards away. I check to make sure the suppressor is fitted correctly, take a bead, and squeeze the trigger. The soft pfft!sound blends with the night breeze and is unheard by my two buddies. Through the scope I see that the sticky camera adhered to the upper part of the building's side–a little low–but it will have to do. I sling the rifle back over my shoulder and tap the OPSAT to activate the diversion device. There are a variety of sounds in the menu that I can pick, from animal noises to a recording of "Alexander's Ragtime Band." I decide on a static white noise, one that's loud enough for them to hear. They'll think it's a malfunctioning loudspeaker and go over to investigate it. I hope.

Sure enough, the two guards look over at the sound. They mumble to each other and then walk in that direction. Hurrah. Now's my chance. I inch around the corner, and the light meter on my OPSAT goes up to the danger area. I'm in full sight. I run to the sixth building on my route, exposed for approximately eight seconds. By the time I'm there, the guards have reached the diversion camera and are probably wondering what the hell it is.

The path is clear for me to scoot across the road and small parking lot to the Tirma building. It's very different from the rest of the structures in the compound. The two-story Tirma building seems to have been designed after an American Colonial house, something you'd see in a middle-class New England neighborhood. It's made of wood, is painted white, and has two fat columns on opposite sides of the front door. Instead of a number to mark the building's location, the word TIRMAis displayed on the molding above the door. Very strange.

I slink around to the back of the building, where there is less chance of being spotted. Luckily there's no lighting back here. I can look out across the vast lake and see the town square marina about a mile along the shore. The wind coming off the lake is icy cold.

There's a back door, presumably used as an emergency exit, and a couple of windows on the ground floor. I try the windows first, but they're both locked. It'll have to be the door. Once again my lock picks are useful, and I'm able to open the simple bolt lock in six seconds.

I'm inside the building, in a room that's apparently used for putting stuff that doesn't fit anywhere else. There are stacks of folding chairs that I guess must be for big meetings. I see shelves full of office supplies and a bunch of boxes beneath them. There's a soft drink vending machine here, too.

This room leads to a hallway that shoots straight to the front door on the other side of the building. I listen carefully for any signs of occupation and hear nothing. I move on and see that the hallway connects to a large conference room, complete with a big-screen television and A/V equipment, and another room that appears to be a social parlor. They must hold fund-raising cocktail soirees in there. The largest room on the floor contains samples of the various goods that Tirma sends out for relief. I figure the complete stock is stored elsewhere on the campus, in one of the storage sheds or a warehouse. These include medical supplies, dried food, water bottles, grain, and articles of clothing. Besides a couple of modern bathrooms there's not much else on the ground floor, so I quietly ascend the staircase to the second. The place is furnished with thick carpet, even on the stairs. My movements are relatively silent except every now and then the wooden floor creaks beneath the carpet. That can't be helped.

Upstairs I find four offices. One is obviously for support staff–there are three desks, computers, filing cabinets, a copy machine–what you'd normally find in an office. The other three offices are probably for administrators of the charity organization. In one of them I find a lot of company literature printed in several different languages–pamphlets and brochures explaining Tirma's purpose and goals. I take a handful; some are printed in English, some in Farsi, some in Turkish, and some in Arabic. I place these in my Osprey and move on.

The other two rooms are executives' offices. I boot up the computers in each room and spend a little time at them. I don't need any security passwords, and I'm able to browse through the files easily. I'm unable to find anything suspicious, even when I search for the names Tarighian, Mohammed, Mertens,or Zdrok.

For all intents and purposes, it appears that Tirma is a legitimate charity organization.

I make my way out of the building and exit through the door I came in. The next stop is Basaran's office, inside the building that's a couple of doors down. This one's going to prove more difficult. It's very well lit and I'm sure the security is stronger. There may be people inside. I stay in the back and dart to the next structure–the employees' cafeteria–and then the next . . . until I'm looking at the main administrative building where I met Basaran earlier. There are no guards in the back, but I know that at least one is patrolling the front.

The back door has a keypad lock. I'm betting that the same code is used throughout the building, so I punch my OPSAT to recall the sequence I noted earlier. I press the buttons 8, 6, 0, 2, 5 and the door unlocks. I know there are surveillance cameras all over the place, so I open the door just a sliver and use the corner periscope to peek inside. Sure enough, there's a camera trained at the door.

If I wanted to I could take it out with the Five-seveN pistol, but that would only call attention to the fact that someone had been in the building. I'd rather get around it another way. The camera appears to be a standard off-the-shelf model that continuously records, but only if there's sufficient lighting in the room. There has to be a switch just inside the door–I maneuver the periscope until I see it, then reach my hand in quickly and flick off the lights. I then enter the room and shut the door. With my night-vision goggles I can see fine, but the camera is recording nothing but darkness.

I move out of the room and look through an archway to the outer lobby, which is well lit. Glass windows face the front and I can see the guard standing with his back to me, looking toward the parking lot. He's bundled up, smoking a cigarette, and probably hating every minute of this assignment. I scan the ceiling, walls, and corners for more cameras and find one aimed directly at the front doors. I can easily scoot past this one because I'm already in the building. While the guard's not looking, I move across the outer lobby, through the double wooden doors and into the main receptionist's office. Thank goodness the lights are already off.

I go to the keypad, punch in the same code, and enter the hallway leading to Basaran's office. The lights are on here and I see no way to turn them off. I know there's another camera around the corner up ahead, so I use the periscope again to take a look. It's a motion-detection camera that pivots in a wide arc. Midway in the arc is Basaran's office. There's no keypad for his door–they must figure that once you're past the reception desk, you're clear to roam wherever you want.

I have to distract that camera. I take the camera jammer out of the Osprey and turn it on. The thing vibrates a little, so I know it's working–I sure can't see the microwave pulses coming out of it–and it works best if you're moving at the same time. So I aim the jammer in front of me, turn the corner, and quickly move down the hall. I hear the camera lens zoom in and out as it attempts to focus on whatever it thinks it detects, but it's very confused. I open Basaran's door and slip inside just as the camera regains its functionality.

The overhead lights are off in the office, but mood lighting is on–behind the wet bar, on the desk, and here by the door. Curtains cover the big glass window overlooking the lake, and fortunately they're closed.

First, I examine the desk and its contents. The drawers hold nothing of interest–just a bunch of personal items, credit card bills, employee phone numbers, and other papers relating to the company. There's also that hand exerciser, the rubber ball I saw Basaran squeezing when I first met him. I boot up the computer and see that a password is required to gain access. Damn. If only I had Carly St. John's expertise now. I had informed Lambert I'd be coming here tonight, but Carly didn't have much notice to try to hack Akdabar's server. There's not much I can do.

I shut down the computer and then notice for the first time that there's a framed photograph sitting on the desk. It shows a veiled woman with two young girls, ranging maybe six to eight years old. Basaran's family? The thing is, they don't look Turkish. Most Turkish women, even very religious ones, don't wear veils as they do in, say, Iraq or Iran. I quickly snap a copy of the picture and store it in my OPSAT, then move to the filing cabinets.

The lock picks open the cabinets easily, and I find more documents relating to Akdabar Enterprises–employee records, accounting books, and other boring stuff. One drawer, however, contains files marked Cyprus. I pull these out and thumb through them. I see records relating to the shopping mall that Basaran is building–expense reports, schedules, press releases, and company memos. The place is located near the city of Famagusta, a seaport that is perhaps Northern Cyprus' most strategic urban center after the capital, Lefkosia.