Текст книги "This is Not a Test"

Автор книги: Courtney Summers

сообщить о нарушении

Текущая страница: 13 (всего у книги 15 страниц)

There is a window in the basement we never barricaded.

This window is at the back of the school, facing the athletic field. It’s close to the ground and semi-concealed by boxwood. That’s how Baxter got in. It would be a forgivable oversight except as soon as Cary tells us about it, we all see it in our heads and it is the most painful kind of realization. The next stupid thing: shelves were placed in front of that window, a barricade. Baxter put them there the first time and then fought them down the second but don’t worry, Cary tells us, nothing else found its way in after Baxter came, after Grace died.

We checked that basement and we looked at those shelves.

“It wasn’t obvious,” Rhys says, like that should make it okay that we looked at those shelves and never considered the possibility of a window behind them. It actually makes it worse. We all knew Baxter was lying about forgetting, he wanted to use it as leverage so why wouldn’t he hide it from us? Why wouldn’t we look for something hidden?

“Where is he?” Rhys asks. “Where did you put his body?”

“He’s in the basement.” Cary stares at his hands and then he shakes his head. “I can’t believe he came back just to do that.”

“We sent him outside to die,” Rhys says. “Why can’t you?”

“Someone should check on him,” Harrison says. “Trace, I mean.”

“You do it,” Cary tells him. “You’re closer to him than we are.”

Harrison’s eyes widen. “I don’t want to—I don’t want to see her—”

“You wouldn’t.”

“That’s not fair.”

“Yeah, well, he can’t stay in that room forever. We have to go to Rayford.”

“Jesus,” Rhys says. “He just lost his sister, Cary. Give him a couple of days.”

“You think he’ll still go with us?” I ask.

Cary shrugs.

“I’ll check on him,” I say.

I leave the room without looking back. Each step forward is a slow and hateful thing. I am going upstairs to see Trace, who is sitting with Grace’s body. I bite my lip and tears come. I think the worst part is knowing it hasn’t really sunk in yet. This is just the surface of it, like when Lily left. First there was the shock, this total implosion, and then numbness and every so often it would hit me in waves, just to remind me it was still there. Each wave was worse than the last. A full-body ache, this heaviness, seeing the world in gray.

I’m standing outside of Yee’s classroom when I hear Grace’s voice.

She’s talking to Trace.

Relief surges through my veins, makes me weak. I knew it was a mistake, some unreality. I knew she was alive. I knew it. I push the door open and it slams into the wall. Trace sits on Yee’s desk and my eyes pass over him in search of Grace but they don’t see her how they expect to see her. They come to rest in the middle of the room, where all the desks are pushed together to display—her. She’s covered with a sheet, but her voice—

I still hear her.

I turn to Trace. He’s holding the camcorder.

My heart crashes.

“We made a video,” he tells me because he doesn’t know I know. “In case…” He pushes a button and Grace’s voice stops and the room gets colder as soon as it does. “The battery will run out soon and then I’ll never hear her again.”

The air tastes funny. Strange. Everything is different now. The school is so alien. You’d think this place only ever belonged to us, that it was always ours and it is something so much less with one less of us in it.

“Can I see her?”

“You don’t want to see her.” He holds up the camcorder. “You can see her here. Alive.”

I walk over to him, never unaware of the other presence in the room. I don’t know how he stands it. I sit next to him, lean in close, and stare at the tiny LCD screen. It’s paused on the two of them.

The quality isn’t that great. It’s fuzzy. Trace didn’t adjust the settings for recording at night and the only thing illuminating them is the flashlight and it makes Grace look unreal on top of unreal. I have this urge to find my way into the video, to tell her what’s coming. Grace, did you ever imagine that you’d die. He turns it off and looks at me. His eyes are empty.

“Do you need anything?” I ask. “I can get you … anything.”

“No,” he says. “You can’t.”

It gets quiet again. And then—

“Do you think if we brought one of those things in … if we brought one of those things in and they bit her … she’d…” His voice cracks. “Do you think she’d come back?”

“No,” I say, my stomach turning. “No. She wouldn’t. It’s too late…”

“Were you going to stay with us?” he asks. “She told me she asked you. Were you going to?” My mouth goes dry. “Don’t lie to me. Just tell me if you were.”

“I wasn’t sure.”

“She really wanted you to come. I wasn’t so sure but she liked you.”

“I know.”

“She said you didn’t know if you’d go because of Rhys.”

“It wasn’t because of Rhys.”

“But she really liked you.” It’s almost an accusation. I don’t say anything. He rubs his eyes. “If I step out for a second—will you stay with her? I hate when she’s alone…”

I nod. Even so, it takes him a long time to leave. His entire being resists it. I can see the fight happening in him. He finally steps out. Leaves me alone with her. I know he’ll be quick so I know I have to be too, which means there is no time to prepare. I hurry to the center of the room, the desks, her body.

I grip the edge of the sheet and pull it back.

This is what true death looks like. She’s not infected, so she will not turn. She’s so gone from us no bite will bring her back. I bring my hand close to her face, but I can’t bring myself to touch her. Everyone says death looks like sleeping, that it looks like that kind of peaceful, but this is nothing like that. The stillness. Her lips, her mouth, her hair. Everything is wrong. I can’t accept that she’s here in this room, in front of me, but she’s not here. She’s here but she’s not. I think of the dead outside, bodies. Bodies—but not people.

But they were people.

I cover her face. When Trace comes back, he finds me next to her and I just want to say something that will make him feel better, less alone. Remind him he still has family.

“Go to Rayford. Find your cousin.”

He looks at me. “Leave Grace, you mean.”

“I didn’t mean it like that—”

“How else could you have meant it?”

“Trace—”

“Get out. I want to be alone.”

“I’m sorry—”

“Get the fuck out, Sloane! Who told you I wanted you here in the first place?” He gets so close and for one second, I think he’ll hit me. I see my father. I will see my father in every anger. “Get out.”

I brush past him and as soon as I’m out of that room, I can breathe in a way I couldn’t before. My legs are shaky. Weak. When I go back to the auditorium, Cary and Rhys are waiting for me.

“How is he?” Rhys asks.

“Bad,” I say. “Where’s Harrison?”

They don’t answer.

“What?”

“Tell her, Cary,” Rhys says. He doesn’t sound happy.

Cary flushes and clears his throat. “He wouldn’t stop fucking crying and I kind of lost my temper. He’s wandering around. Did you mention leaving to Trace?”

Rhys looks at me. “Tell me you didn’t. It’s way too soon to throw that at him.” My face gives it away. He closes his eyes. “Shit, Sloane.”

“That’s Trace’s problem,” Cary says. “Not ours.”

Rhys gets up abruptly, throws Cary a disgusted look.

“I’m going to find Harrison.”

When Rhys is gone, I just stand there, staring at Cary.

“Grace is dead,” I tell him.

“I can’t bring her back.”

“She was ours and she’s dead.”

He stares at the table.

“She wasn’t mine.”

“But you were with her.”

“Sloane.” He looks at me and the bags under his eyes are pulling his face down. In the right light, I’d swear he was infected. He exhales slowly through his teeth. “Don’t.”

Thoughts of Grace prevent me from sleep.

I doze, thinking of her body in Yee’s room, decomposing. We probably can’t move it from there without something happening, her skin shifting. I don’t know where we’d move it. I just think we need to do something with her.

It doesn’t seem right that there can’t be a burial.

I think about how no one has said anything about her. We haven’t talked about how she was good, that she was nice, that she loved Trace more than anything in the world. These things still matter. She was a good person. She wanted me to stay with her when we got to Rayford. The memory of that fragile possibility of her and me, me being part of the kind of family I always wanted to be part of—I feel the weight of it like it’s still there, even though it’s gone.

I wasted it.

The room gets light. The sound of quick, heavy footsteps nearing wake me completely. I open my eyes and see Trace striding across the room. Nothing about him being away from Grace makes sense to me and I have that dumb thought again—she’s alive. It’s the only way he’d leave her.

“Trace—”

And then he kicks me. In the side. My head spins, my bones scream. I wrap my arms around myself at the exact same moment he aims for my abdomen. His foot connects with my arm instead. I groan. I can’t breathe. He brings his foot back and kicks me in the legs. I roll away from him. He kicks me again and I split in half.

“Trace—Trace—Trace!”

Rhys and Cary are awake. They pull him away and Trace starts screaming.

“I had the shot—I had the fucking shot and you ruined it!”

I force myself to my feet and stagger across the room. I lean against the stage and try to get my bearings. He had the shot. I ruined it. I frantically sort through images in my head, trying to remember. It’s not true. I pulled Baxter off Grace, I pulled him off of her, there was no time—the shot, there was the shot, but I saved her I—I jump between them. I grab Baxter and pull him off her and then there’s a shot, this incredible bang and it’s so in my ears that I feel it in my teeth.

I sit down on the floor.

He had the shot and I ruined it.

Trace stops, just lets himself go right there. Cary and Rhys struggle to hold him up but his weight is too much for them. They ease him onto the ground and he starts to sob. Rhys hurries over to me, reminds me of the pain I’m in but it’s not anything. It’s not real.

Trace’s pain is real.

“Help him.” I want to scream it though; help him. Help Trace, help Trace. Please. Harrison and Cary stare at him uselessly. “You should help him—”

“I can’t,” Rhys says, but I think he must be wrong. There must be some way to help Trace. We just haven’t thought of it yet. “Are you okay? Did he break anything—”

I stare at Trace and it already feels like a lifetime ago that he hit me, made me see stars, my head against a coffee table, blood in my hair—no, wait. That wasn’t Trace.

“Sloane,” Rhys says. I shake my head slowly. He takes my arm. I try to pull away again. “Let me see how bad it is.”

I hear Lily’s voice in my head. After, she’d always tell me to just calm down. Let me see how bad it is. Did he break anything. No. Does anything feel broken. Yes. But not bones. I would know something like that, right, Lily? I’d know it. He’d never break anything, he’d never do a thing that would force us to the hospital because no one could know. No one can know what he does to us. Wait. That’s not Trace. Trace. I ruined his shot.

“He’s right,” I whisper, and Rhys stops looking me over. He sits down and rubs his eyes. Cary pulls Trace to his feet and says something about taking him to the nurse’s office.

Just calm down, let me see how bad it is.

They don’t just put Trace in the nurse’s office. They lock him in it.

I take a shower. At home, the showers after would be so hot, they’d turn my body to mush and I’d wrap myself up in my oversized terrycloth robe and lay on my bed and sometimes Lily would sit on the edge of it and I’d go so quiet, it scared her. She’d stay there, whisper about all the things we’d do when we finally got out, just her and me.

I change back into my clothes. Zip up my jeans. I slip out of the locker rooms and make my way to the nurse’s office. I peer through the window. Trace is on the cot, on his back, staring at the ceiling. I can’t tell if he’s awake or not. I rap my knuckles against the window. He doesn’t move. I think of Grace, laid out on the desks, the exact same position as him and she’s not moving, not seeing, not breathing. Time has stopped for them both. I press my hand to the glass and will his head to turn, for him to sit up, say something.

He stays perfectly still.

I go back to the auditorium and I’m alone for a moment.

And then footsteps. Rhys, Cary, Harrison. I don’t want to see them right now. It’s why I took the shower. I couldn’t stand the way they looked at me, like I was this pathetic weak thing. There’s no time to leave the room, so I climb onstage and slip behind the curtain.

“She wasn’t in the locker rooms—”

Their voices get closer to the stage so I back farther into it, wedging myself between the old out-of-tune piano that’s there and the wall. My hands brush something plastic. I look down.

My phone.

I stare at it for a long time, trying to remember how it got here, trying to remember the last time I was behind here with my phone.

Rhys running his hands all over my back, telling me I’m fine …

“There aren’t many places she can be.”

“We couldn’t even find the fucking way Baxter got in.”

“Let’s just keep looking. Harrison, check the back of the school.”

They leave the room again but I stay where I am. I turn my phone on. It turns on. The last phone in here that works and it’s useless. There’s no signal.

But I have a text message.

I have a text message.

It’s the end of the world and I have a text message.

We’ve been in the school a little over a month but the message is dated three days after the morning it all started. I don’t know what I was doing then. Where exactly we were. We were a group. The Caspers were alive. Grace was alive. Text messages were still going out.

It’s from my father.

I tremble so badly the phone shakes in my hands. Beads of sweat blossom on my forehead and the back of my neck. I can’t get air into my lungs. I lean forward, hyperventilating, praying somehow to regain myself. It’s old. It’s old. It’s an old message. It’s old, it’s old, it’s old … and then I laugh stupidly, dizzily, because his timing is so—it’s so good. It is so good. It’s old, I think firmly, but another thought is louder and it makes me want to break myself, it makes me want to end it all here, now: he’s alive.

I open the message.

Lily’s here. It’s safe. Come home.

PART FOUR

I need to go.

I get to my feet and jump down from the stage. I need to go to her. I need to get home now. No—I need to make sure I’m seeing this. I walk out of the auditorium, trying to figure out which way Cary and Rhys went. My hands are numb, still shaking so badly that I drop my phone. It clatters to the ground. I crouch down and pick it up, make sure it’s okay.

The message is still there.

And then my legs decide to stop supporting me. I sink to the floor and press my hand against my forehead and I start to laugh and then I start to cry.

“Sloane?”

I lower my hand and look up. Rhys and Cary are at the end of the hall. They rush to me, asking questions, what is it, what happened, what’s wrong. They try to guess. Are you hurt? Is it the barricades? They’ll never guess. I wipe my eyes and hold my phone out to them.

“Do you see it?” I can barely get the words out. “Do you see the message—”

Rhys takes the phone from me. Stares at it. He hands it to Cary wordlessly. Doesn’t he see it? I can’t tell if he sees it. Cary frowns and then his mouth hangs open in disbelief. I think he should be as ecstatic as I am in this moment—the girl he loved is alive and doesn’t he want to see her of course he’d want to see her—but instead he says, “This is old, Sloane.”

“It’s not that old,” I say. “We have to stop there before we go to Rayford. We can get her and then we can all go to Rayford—”

“You don’t even know if they’re alive—”

I rip the phone out of Cary’s hand. “It says it’s safe. It’s safe. We can stop there and we can get her and we can go to Rayford. My dad—he has a car—”

“They could be gone if they’ve heard the radio—”

“No. They’re still there—she wouldn’t leave if she came back.” She went out of her way to leave me. If she came back, she means it. She means it this time for good. She has to. “She wouldn’t leave if she came back this time. She wouldn’t do that to me—” They exchange a glance and I want to grab them both and shake them, something. “It doesn’t matter! We’re going to Rayford anyway—we can stop there. Why can’t we stop there?”

“No one said we couldn’t stop there—”

“Why am I asking you permission?” It hits me so hard. We don’t have to do everything as a group. “I don’t have to ask you if I can go to my home. I’ll just go there myself—”

All I wanted to know was if they saw it, if the message was real. It is and I’m packed. I can leave. Cary grabs my arm and it’s the wrong arm, the one Trace kicked and something about that brings me to my senses, turns me back into the Sloane I was and have always been, except I don’t want to be her because she fills my head with this thought immediately: even if we find each other again—

“Calm down,” Cary tells me. “We can go, Sloane. Of course we can check it out.”

She still left me.

I push the thought out of my head.

Bury it.

We decide to leave in the morning. There’s no point in waiting anymore.

Cary asks me if I want Trace to come with us, like it should be up to me, like I would even think of leaving him behind when he’s Grace’s brother and they’d already decided to go to Rayford, where their family might be. He has to come.

“If she’d said no, were you just going to leave him in the nurse’s office?” Harrison asks.

“He’s coming,” I say. “Stop.”

“Someone has to tell him what’s going on,” Cary says. “Harrison, that’s you.”

“What? Why me? I don’t want—”

“Christ.” Cary buries his face in his hands for a long moment and when he finally raises his head, he looks ready to kill Harrison. “If I’m dragging your sorry ass through Cortege, you can just do what I fucking tell you. You know why you’ve never done anything that matters? Because you never do anything. Tell Trace. Now.”

Harrison leaves the room with tears trailing down his cheeks and I understand why he’s afraid to see Trace. Trace’s grief and anger mark him now. But Harrison made his choice.

“I’m going to divide Grace’s—” Cary takes a breath, trying to collect himself. “Her book bag. I’m going to divide everything inside it between us.”

“Okay.”

He goes to the library and thinking of him opening up her bag, everything she was going to take with her, makes me so sad and I try to think of Lily instead, seeing Lily, but it doesn’t help. Rhys watches me from his side of the table. There’s nothing in his eyes. His mouth is pinched.

“What?” I ask.

“I’m happy for you,” he says.

“Thank you.”

“I hope she’s there.”

“She will be.”

He nods but he doesn’t say anything and I know he doesn’t believe me, but I don’t care because I know it’s true. Lily will be there.

“When we went outside,” he says, “if it had worked out the way you wanted it to … you would have never seen the message. Or her. So I guess it’s good it didn’t work out.” I look away. “And your father’s there. You’ll see him.”

“He’s dead,” I say.

“How can you know that?”

“He’s dead to me. If he’s alive, we’re not taking him with us.”

“It’s his car, isn’t it?”

“I don’t care.”

“I’m happy for you,” he says again.

But I think he means it less and less each time he says it.

Cary comes back and then Harrison comes back and tells us Trace has agreed to go but he wants us to pay our respects to Grace before we do and then I realize every time I envision us leaving through the library, she’s there. She’s with us, she’s alive. I erase her from the mental image but that feels so wrong so I let her stay, but I try to make her look like a ghost instead.

Which is worse.

I spend the evening on my mat staring at the skylights, watching it get darker and darker. I’m starting to feel everything Trace did to me and I’m afraid it will slow us down but I think if you want something bad enough it can be greater than pain, it can push you past it.

I hope.

“Sloane.”

Rhys whispers my name. At first, I’m not sure I’ll answer him, even though I’m awake but then I think what if he dies? I’m trying not to consider all the things that could go wrong, but what if he dies and this will be the last moment I share with him. I owe him more. I roll onto my side to face him. He’s staring at me. I wonder how long he’s been staring at me.

“We should be asleep,” I say.

“Are you scared?”

I shake my head. It’s a lie and it isn’t. I’m not scared right now. I’m not scared in the way that he must be. He looks so vulnerable when I say no, so upset, like he’s the last scared person in the world and he doesn’t want to be alone with that.

“I’m jealous of you,” he whispers. “It kills me to look at you.”

“Come here,” I tell him. But there’s not enough room on my mat for him to just be close to me. He moves his next to mine and then we’re lying together. I bring my hand to his hair, which is soft. He smells like smoke. He curls into me, puts his arms around me. It makes me wince. He loosens his grip immediately.

“I’m sorry.”

“It’s okay.”

I take his arm and I put it around me again. He closes his eyes. I let my fingers trace the outline of his face and his lips. His breathing is ragged, broken.

“Sloane,” he says.

“What?”

“When we get to Rayford can I stay with you and her?”

“Of course,” I whisper. “Of course you can.”

He starts to cry. I pull him closer to me. He presses his face against my collarbone.

We fall asleep like that.