Текст книги "Red Bones"

Автор книги: Ann Cleeves

Соавторы: Ann Cleeves
сообщить о нарушении

Текущая страница: 22 (всего у книги 22 страниц)

Chapter Forty-five

That evening they met up at Fran’s house in Ravens-wick. She’d cooked a meal and when it was over they sat around the table in the kitchen, drinking wine and talking. The dishes had been cleared but there was still a plate of cheese and a bowl of red grapes, like a still-life study, in front of them. It was late because Fran had wanted to get Cassie to bed first. Perez could tell that Sandy was nervous. This wasn’t the sort of social event he usually went in for. He drank less than they did, although Perez had already suggested he could get a taxi back to town. He didn’t want to make a fool of himself. All the same he was pleased to have been invited. Perez could tell that.

‘How’s Anna?’ Fran asked as soon as Sandy came in. He had stayed the night in Whalsay, taking statements.

‘In shock, of course. She’s going south to stay with her parents until she’s come to terms with what’s happened. She talks about coming back to Shetland but I don’t think she ever will. She tried very hard to fit in, but she was never really cut out to be a Shetland wife.’

‘What about me?’ Fran asked with a little laugh. ‘Am I cut out to be a Shetland wife?’

Perez knew what she was doing. Sandy had believed Ronald to be his friend. He still saw the Whalsay deaths as a personal betrayal. Fran was trying to lighten the mood. There was no more to her question than that.

‘Oh, you!’ Sandy said. ‘You’d fit in fine wherever you lived.’

‘Will Andrew and Jackie be charged?’ Fran reached out for a grape, cut another wedge of cheese.

‘Not Jackie,’ Perez said. ‘If she guessed that Ronald was involved in some way, she didn’t really know. And we’ve no evidence to suggest that she understood where the original source of wealth came from.’

‘If we go back far enough all the rich families in the UK got their money in a dubious fashion,’ Fran said. ‘The spoils of war, off the backs of the poor.’

Perez smiled but said nothing. After a few drinks she often believed herself to be a champion of the people.

Sandy shifted in his chair. ‘But surely we should have enough to charge Andrew? We know he was involved. He tried to focus our attention away from Setter by telling me they threw the Norwegian’s body into the sea. If we exhume Per’s body, get the forensic accountants to look at Andrew’s business records over the years, we should have enough to satisfy the Fiscal.’

Perez realized that Sandy was more comfortable believing Andrew to be a murderer than he was thinking of Ronald in that way. Sandy had been deceived by his old friend and they’d both been taken in by Ronald’s fine acting.

‘Aye,’ Perez said. ‘Maybe.’ He knew how long the investigation would take and he doubted whether Andrew would still be alive at the end of it. Maybe living in the giant house on the hill, with a heartbroken wife who’d lost her son to prison and her grandchild to his relatives in the south, would be punishment enough.

He looked down towards the lighthouse at Raven Head. It was very clear tonight. He thought there might be a frost, the last cold spell before the summer. Suddenly he remembered Paul Berglund. He turned to Sandy, smiling. ‘Berglund’s grandmother is Swedish, not Norwegian. Not any relation to Mima’s lover. A horrible man, but not a murderer.’

‘So I was wrong again,’ Sandy said. He seemed more relaxed, more himself. Perez saw that his glass was empty. He tipped some wine into it and poured himself another glass too. It seemed hours since he’d slept and it was only caffeine and alcohol that were keeping him going.

‘Bones in the land,’ Sandy said, half asleep now. ‘Skeletons in a cupboard.’ They sat for a moment in silence, then Sandy got out his mobile to call a taxi and Fran stood up to make coffee.

When they went outside to see Sandy off Perez gasped with the cold. There was a moon and the sea was silver. The beam from the lighthouse on Raven Head swept across the fields between the beach and Fran’s house. It was hypnotic, he felt he could stand here for hours just watching it. He forced himself to look up at the sky instead. There were no streetlights here and the stars were clear and sharp. Fran stood in front of him and he put her arms around his waist. Even through his thick jacket he could feel her body pressed against his.

Sandy’s taxi drove off, but still they stood there.

‘My friends in the city can never understand what this is like,’ Fran said. ‘I explain: no light pollution, no sound, but they can’t conceive it.’

‘You’ll have to invite them up and show them.’

She turned towards him. At first her face was in shadow, then she tipped up her head so the moonlight caught her eyes.

‘I was thinking,’ she said, ‘that we could ask them to the wedding.’

Praise for the Shetland series

RED BONES

‘Ann Cleeves’ fellow crime fiction practitioners (from Colin Dexter to Peter Robinson) have been lining up to sing her praises, and it’s unlikely that there will be any blip in that chorus of praise on the evidence of Red Bones, which is quite as assured and entertaining as its predecessors’

Barry Forshaw

‘On an island shrouded in mist, amid a community with secrets, a visiting archaeologist uncovers mysterious human remains . . . This award-winning writer weaves an intriguing, chilling web’

Best Magazine

WHITE NIGHTS

‘Decades-old amorous betrayals resurface in a plot that makes much of the tension between incomers and islanders. Ann Cleeves’ intriguing mystery is tangentially energized by the “simmer dim”’

Financial Times

‘Cleeves deftly paints in the personalities and their relationships, as the police inquiries disrupt the close-knit community. It’s a good, character-led mystery, which displays the art of storytelling without recourse to slash and grab’

Sunday Telegraph

‘This is wonderful . . . Part of the wonder of this book is the domestic detail that becomes iconic within the novel . . . This is a very good author. This is an author that bears criticism’

Radio Four’s ‘Front Row’

RAVEN BLACK

‘Raven Black breaks the conventional mould of British crime-writing, while retaining the traditional virtues of strong narrative and careful plotting’

Independent

‘Beautifully constructed . . . a lively and surprising addition to a genre that once seemed moribund’

Times Literary Supplement

‘Raven Black shows what a fine writer Cleeves is . . . an accomplished and thoughtful book’

Sunday Telegraph

‘Ann’s characterization is worthy of the best writers in the field . . . Rarely has a sense of place been so evocatively conveyed in a crime novel’

Daily Express

‘A fine and sinister psychological novel in the Barbara Vine style. Cleeves is part of a new generation of superior British writers who put refreshing new spins and twist on the old forms’

Globe and Mail

RED BONES

Ann Cleeves worked as a probation officer, bird observatory cook and auxiliary coastguard before she started writing. She now promotes reading for Kirklees Libraries and as Harrogate Crime-Writing Festival’s reader in residence, and is also a member of ‘Murder Squad’, working with other northern writers to promote crime fiction. In 2006 Ann was awarded the Duncan Lawrie Dagger for Best Crime Novel, for Raven Black. Ann lives in North Tyneside. Red Bones is the third novel in the Shetland series following from Raven Black and White Nights. The fourth, Blue Lightning is available now.

Visit the author’s website at:

www.anncleeves.com

Also by Ann Cleeves

A Bird in the Hand

Come Death and High Water

Murder in Paradise

A Prey to Murder

A Lesson in Dying

Murder in My Backyard

A Day in the Death of Dorothea Cassidy

Another Man’s Poison

Killjoy

The Mill on the Shore

Sea Fever

The Healers

High Island Blues

The Baby-Snatcher

The Sleeping and the Dead

Burial of Ghosts

The Vera Stanhope series

The Crow Trap

Telling Tales

Hidden Depths

The Shetland series

Raven Black

White Nights

Blue Lightning

Acknowledgements

Whalsay is a real island and one of the friendliest places I know. It doesn’t have a community called Lindby and all the people and places described there – including the camping bod where the students live – are fictitious. Symbister exists – it’s where the ferry arrives – but it doesn’t have a Pier House Hotel.

Lots of people helped with the writing of this book, but despite the collective expertise there are probably mistakes; they’re all mine. I’m grateful to Anna Williams and Helen Savage for their advice on archaeology, and to Cathy Batt and her colleagues at the University of Bradford for talking me through the Shetland excavations and showing me real red bones. Val Turner helped by reading the manuscript, putting me right on details of procedure and allowing me to use her name.

David Howarth’s excellent book The Shetland Bus provided information on the Norwegian resistance operation based in Lunna during the Second World War. While he describes the building of small boats for use in Norwegian inland waters, I can only guess that this might have taken place in Whalsay.

Once again Helen Pepper advised on crime-scene management. Sarah Clarke provided information on the possible complications of a difficult birth. Bob Gunn told me about rabbits and shotguns. Ingirid Eunson, Ann Prior and Sue Beardshall shared conversation and wine and ideas about the islands.

Thanks to our friends on Whalsay – to Angela and John Lowrie Irvine for their hospitality and sharing with me the photo of the knitting women, and to Paula and Jon Dunn for finding us a fantastic place to stay. I’m especially grateful to the Whalsay Reading Group for their honesty, their warmth and one of the most fascinating evenings of my writing career.

The Visit Shetland team and Shetland Arts officers have again provided support and assistance, and it’s always a delight to work with everyone at Shetland libraries.

Finally a huge thank you to Sara Menguc, Moses Cardona and Julie Crisp for their contribution to the book. Julie is every writer’s dream editor.

First published 2009 by Macmillan

First published in paperback 2010 by Pan Books

This electronic edition published 2010 by Pan Books

an imprint of Pan Macmillan, a division of Macmillan Publishers Limited

Pan Macmillan, 20 New Wharf Road, London N1 9RR

Basingstoke and Oxford

Associated companies throughout the world

www.panmacmillan.com

ISBN 978-0-230-73968-0 PDF

ISBN 978-0-230-73967-3 EPUB

Copyright © Ann Cleeves 2009

The right of Ann Cleeves to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988.

You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

The Macmillan Group has no responsibility for the information provided by any author websites whose address you obtain from this e-book (‘author websites’). The inclusion of the author website addresses in this e-book does not constitute an endorsement by or association with us of such sites or the content, products, advertising or other materials presented on such sites.

A CIP catalogue record for this book is available from the British Library.

Visit www.panmacmillan.com to read more about all our books and to buy them. You will also find features, author interviews and news of any author events, and you can sign up for e-newsletters so that you’re always first to hear about our new releases.