Текст книги "«Тобиас Ужасный» и другие рассказы"

Автор книги: Александр Пахотин

сообщить о нарушении

Текущая страница: 2 (всего у книги 3 страниц)

Did you happen to see any contests like this?

Why do you think the story was titled like this?

Read aloud and translate any paragraph you like.

Tobias the Terrible*

(3423 words)

One night I am sitting in Mindy's restaurant on Broadway partaking heartily of some Hungarian goulash which comes very nice in Mindy's, what with the chef being personally somewhat Hungarian himself, when in pops a guy who is a stranger to me and sits down at my table.

I do not pay any attention to the guy at first as I am busy looking over the entries for the next day at Laurel, but I hear him tell the waiter to bring him some goulash, too. By and by I hear the guy making a strange noise and I look at him over my paper and see that he is crying. In fact, large tears are rolling down his face into his goulash and going plop–plop as they fall.

Now it is by no means usual to see guys crying in Mindy's restaurant, though thousands of guys come in there who often feel like crying, especially after a tough day at the track, so I commence weighing the guy up with great interest. I can see he is a very little guy, maybe a shade over five feet high and weighing maybe as much as a dime's worth of liver, and he has a mustache like a mosquito's whiskers across his upper lip, and pale blond hair and a very sad look in his eyes.

Furthermore, he is a young guy and he is wearing a suit of clothes the color of French mustard, with slanting pockets, and I notice when he comes in that he has a brown hat on his noggin. Anybody can see that this guy does not belong in these parts, with such a sad look and especially with such a hat.

Naturally, I figure his crying is some kind of a dodge. In fact, I figure that maybe the guy is trying to cry me out of the price of his Hungarian goulash, although if he takes the trouble to ask anybody before he comes in, he will learn that he may just as well try to cry something out of a lamppost.

But the guy does not say anything whatever to me but just goes on shedding tears into his goulash, and finally I get very curious about this proposition, and I speak to him as follows:

"Listen, pally," I say, «if you are crying about the goulash, you better dry your tears before the chef sees you, because,» I say, «the chef is very sensitive about his goulash, and may take your tears as criticism.»

"The goulash seems all right," the guy says in a voice that is just about his size. "Anyway, I am not crying about the goulash. I am crying about my sad life. Friend," the guy says, "are you ever in love?"

Well, of course, at this crack I know what is eating the guy. If I have all the tears that are shed on Broadway by guys in love, I will have enough salt water to start a new ocean. But I wish to say I never shed any of these tears personally, because I am never in love, and furthermore, I never expect to be in love, for the way I look at it love is strictly nonsense, and I tell the little guy as much.

"Well," he says, "you will not speak so harshly of love if you are acquainted with Miss Deborah Weems."

With this he starts crying more than somewhat, and his grief is such that it touches my heart and I have half a notion to start crying with him.

Finally the guy slacks up a little in his crying, and begins eating his goulash, and by and by he seems more cheerful, but then it is well known to one and all that a fair dose of Mindy's goulash will cheer up anybody no matter how sad they feel. Pretty soon the guy starts talking to me, and I make out that his name is Tobias Tweeney, and that he comes from a small spot in Pennsylvania, by the name of Erasmus, or some such.

Furthermore, I judge that this Erasmus is not such a large city, but very pleasant, and that Tobias Tweeney is born and raised there and is never much of any place else in his life, although he is now–rising twenty–five.

Well, it seems that Tobias Tweeney has a fine position in a shoe store selling shoes and is going along all right when he happens to fall in love with a doll by the name of Miss Deborah Weems, whose papa owns a gas station in Erasmus and is a very prominent citizen. I judge from what Tobias tells me that this Miss Deborah Weems tosses him around quite some, which proves to me that dolls in small towns are just the same as they are on Broadway.

"She is beautiful," Tobias Tweeney says, speaking of Miss Deborah Weems. "I do not think I can live without her. But," he says, "Miss Deborah Weems will have no part of me because she is daffy over desperate characters of the underworld such as she sees in the movies.

"She wishes to know," Tobias Tweeney says, "why I cannot be a big gunman and go around plugging people here and there and talking up to politicians and policemen, and maybe looking picturesque and. But, of course," Tobias says, "I am not the type for such a character. Anyway," he says, "Constable Wendell will never permit me to be such a character in Erasmus.

"So Miss Deborah Weems says I have no more nerve than a catfish," Tobias says, "and she goes around with a guy by the name of Joe Trivett, who runs the Smoke Shop, and he claims Al Capone once says 'Hello' to him, although," Tobias says, "personally, I think Joe Trivett is nothing but a great big liar."

At this, Tobias Tweeney starts crying again, and I feel very sorry for him indeed, because I can see he is a friendly, harmless little fellow, and by no means accustomed to being tossed around by a doll, and a guy who is not accustomed to being tossed around by a doll always finds it most painful the first time.

"Why," I say, very indignant, "this Miss Deborah Weems talks great foolishness, because big gunmen always wind up nowadays with the score nine to nought against them, even in the movies. Why do you not hit this guy Trivett a punch in the snoot," I say, «and tell him to go on about his business?»

"Well," Tobias says, "the reason I do not hit him a punch in the snoot is because he has the idea of punching snoots first, and whose snoot does he punch but mine. Furthermore," Tobias says, "he makes my snoot bleed with the punch, and he says he will do it again if I keep hanging around Miss Deborah Weems. But," he says, "I ask you if I am to blame if my mother is frightened by a rabbit a few weeks before I am born, and marks me for life?

"So I leave town," Tobias says. "I take my savings of two hundred dollars out of the Erasmus bank, and I come here, figuring maybe I will meet up with some big gunmen and other desperate characters of the underworld. By the way," he says, «do you know any desperate characters of the underworld?»

Well, of course I do not know any such characters, and if I do know them I am not going to speak about it. So I say no to Tobias Tweeney, and then he wishes to know if I can show him a tough joint, such as he sees in the movies.

Naturally, I do not know of such a joint, but then I get to thinking about Good Time Charley's bar over in Forty–seventh Street, and how Charley is not going so good the last time I am in there, and here is maybe a chance for me to steer a little trade his way, because, after all, guys with two hundred bucks in their pocket are by no means common nowadays.

So I take Tobias Tweeney around to Good Time Charley's, but the moment we get in there I am sorry we go, because who is present but a dozen parties from different parts of the city, and none of these parties are any bargain at any time. Some of these parties, such as Harry the Horse and Angie the Ox, are from Brooklyn, and three are from Harlem, including Little Mitzi and Germany Schwartz, and several are from the Bronx, because I recognize Joey Uptown, and Joey never goes around without a few intimate friends from his own neighborhood with him.

Afterward I learn that these parties are to a meeting on business matters, and when they get through with their business they drop. Anyway, they are sitting around a table when Tobias Tweeney and I arrive, and I give them all a big hello, and they hello me back, and ask me and my friend to sit down as it seems they are in a most hospitable frame of mind.

Naturally I sit down because it is never good policy to decline an invitation from parties such as these, and I motion Tobias to sit down, too, and I introduce Tobias all around, and we all have a couple of drinks, and then I explain to those present just who Tobias is, and how his ever–loving doll tosses him around, and how Joe Trivett punches him in the snoot.

Well, Tobias begins crying again, because no inexperienced guy can take a couple of drinks of Good Time Charley's liquor and not bust out crying, even if it is Charley's company liquor, and one and all are at once very sympathetic with Tobias, especially Little Mitzi, who is just tossed around himself more than somewhat by a doll. In fact, Little Mitzi starts crying with him.

"Why," Joey Uptown says, "I never hear of a greater outrage in my life, although," he says, "I can see there is some puppy in you at that, when you do not return this Trivett's punch. Then I tell them how Tobias Tweeney comes to New York figuring he may meet up with some desperate characters of the underworld, and they hear this with great interest, and Angie the Ox speaks as follows:

"I wonder, if we can get in touch with anybody who knows such characters and arrange to have Mr. Tweeney meet them, although personally I despise characters of this nature."

Well, while Angie is wondering this there comes a large knock at the front door, and it is such a knock as only cops can knock, and everybody at the table jumps up. Good Time Charley goes to the door and takes a quiet gander through his peephole and we hear a loud, coarse voice speaking as follows:

"Open up, Charley," the voice says. "We wish to look over your guests. Furthermore," the voice says, "tell them not to try the back door, because we are there, too."

"It is Lieutenant Harrigan and his squad," Charley says as he comes back to the table where we are all standing. "Someone must tip him off you are here. Well, those who have rods to shed will shed them now."

At this, Joey Uptown steps up to Tobias Tweeney and hands him a large gun and says:

"Put this away on you somewhere," Joey says, "and then sit down and be quiet. These coppers are not apt to bother with you," Joey says, "if you sit still and mind your own business, but," Joey says, "it will be very tough on any of us they find with a rod."

Now of course what Joey says is very true, because he is only walking around and about on parole, and some of the others present are walking around the same way, and it is a very serious matter for a guy who is walking around on parole to be caught with a rod in his pocket. Well, Tobias Tweeney is somewhat dazed by his couple of drinks and he does not realize what is coming off, so he takes Joey's rod and puts it in his hip kick. Then all of a sudden Harry the Horse and Angie the Ox and Little Mitzi, and all the others step up to him and hand him their rods and Tobias Tweeney somehow manages to stow the guns away on himself and sit down before Good Time Charley opens the door and in come the cops.

By this time Joey Uptown and all the others are scattered at different tables around the room, with no more than three at any one table, leaving Tobias Tweeney and me alone at the table where we are first sitting. Furthermore, everybody is looking very innocent indeed, and all hands seem somewhat surprised at the intrusion of the cops.

I know Harrigan by sight, and I know most of his men, and they know there is no more harm in me than there is in a two–year–old baby, so they pay no attention to me whatever, or to Tobias Tweeney, either, but go around making Joey Uptown, and Angie the Ox, and all the others stand up while the cops fan them to see if they have any rods on them.

Naturally the cops do not find any rods on anybody, because the rods are all on Tobias Tweeney, and no one is going to fan Tobias Tweeney, especially at this particular moment, as Tobias is now half–asleep from Charley's liquor, and has no interest whatever in anything that is going on. In fact, Tobias is nodding in his chair.

Of course the cops are greatly disgusted at not finding any rods. But as Lieutenant Harrigan is just about to take his guys out of the joint when Tobias Tweeney nods a little too far forward in his chair, and then all of a sudden topples over on the floor, and five large rods pop out of his pockets, and the next thing anybody knows there is Tobias Tweeney under arrest.

Well, the next day the newspapers are plumb full of the capture of a guy they call Twelve–Gun Tweeney, and the papers say that this is undoubtedly the toughest guy the world ever sees, because they never before hear of a guy going around rodded up with twelve guns.

The gendarmes say they can tell by the way he acts that Twelve–Gun Tweeney is a mighty bloodthirsty guy, because he says nothing whatever but only glares at them with a steely glint in his eyes, although of course the reason Tobias stares at them is because he is still too dumbfounded to think of anything to say.

Naturally, I figure that when Tobias comes up for air he is a sure thing to spill the whole business, and all the parties who are in Good Time Charley's when he is arrested figure the same way, and go into retirement for a time. But it seems that when Tobias finally realizes what time it is, he is getting so much attention that it swells him all up and he decides to keep on being Twelve–Gun Tweeney as long as he can, which is a decision that is a very nice break for all parties concerned.

I sneak down into the courtroom the day Tobias is charged of violation of the law against carrying rods, and the courtroom is packed with citizens eager to see a desperate character. Among these citizens are many pretty dolls, pulling and hauling for position, and some of these dolls are by no means crows. Many photographers are hanging around to take pictures of Twelve–Gun Tweeney as he is led in handcuffed to gendarmes on either side of him, and with other gendarmes in front and behind him.

But one and all are greatly surprised and somewhat disappointed when they see what a little squirt Tobias is, and Judge Rascover looks down at him once, and then puts on his specs and takes another gander as if he does not believe what he sees in the first place. Then he speaks to Lieutenant Harrigan as follows:

"Do you mean to tell this court," Judge Rascover says, "that this half–portion here is the desperate Twelve–Gun Tweeney?"

Well, Lieutenant Harrigan says there is no doubt whatever about it, and Judge Rascover wishes to know how Tobias carries all these rods, and whereaboutsю. Lieutenant Harrigan collects twelve rods from the gendarmes around the courtroom, and starts in putting the guns here and there on Tobias as near as he can remember where they are found on him in the first place, with Tobias giving him a little friendly assistance.

Lieutenant Harrigan puts two guns in each of the side pockets of Tobias's coat, one in each hip pocket, one in the waistband of Tobias's pants, one in each side pocket of the pants, one up each of Tobias's sleeves and one in the inside pocket of Tobias's coat. Then Judge Rascover speaks to Tobias as follows:

"Step closer to the bench," Judge Rascover says. "I wish to see for myself just what kind of a villain you are."

Well, Tobias takes a step forward, and over he goes on his snoot, the little guy is naturally top–heavy from the rods.

Now there is much confusion as he falls and a young doll who seems to be fatter than somewhat comes shoving through the crowd in the courtroom yelling and crying, and though the gendarmes try to stop her she gets to Tobias and kneels at his side, and speaks as follows:

"Toby, darling," she says, "it is nobody but Deborah who loves you dearly, and who always knows you will turn out to be the greatest gunman of them all. Look at me, Toby," she says, "and tell me you love me, too. We never realize what a hero you are until we get the New York papers in Erasmus last night, and I hurry to you as quickly as possible. Kiss me, Toby"

Tobias raises up on one elbow and does same, and it makes a very pleasing scene, indeed, although the gendarmes try to pull them apart.

Now Judge Rascover is watching all this business through his specs, and Judge Rascover is no sucker, but a pretty slick old codger for a judge, and he can see that there is something wrong somewhere about Tobias Tweeney being a character as desperate as the gendarmes make him out.

So when the gendarmes pick the fat young doll off of Tobias and take a few pounds of rods off of Tobias, too, so he is finally able to get back on his pins and stand there, Judge Rascover adjourns court, and takes Tobias into his private room and has a talk with him, and the chances are Tobias tells him the truth, for the next thing anybody knows Tobias is walking away as free as the little birdies in the trees, except that he has the fat young doll clinging to him like a porous plaster.

Well, this is about all there is to the story, except that there is afterward plenty of heat between the parties who are present in Good Time Charley's joint when Tobias is collared, because it seems that the meeting they all attend before going to Charley's is supposed to be a peace meeting and nobody is supposed to carry any rods to this meeting just to prove their confidence in each other, so it comes out that nobody has any confidence in anybody else at the meeting.

I never hear of Tobias Tweeney but once after all this, and it is some months afterward when Joey Uptown and Little Mitzi are over in Pennsylvania near the town that is called Erasmus, they decide it will be a nice thing to drop in on Tobias Tweeney and see how he is getting along.

Well, it seems Tobias is all married up to Miss Deborah Weems, and is getting along first class, as it seems the town elects him constable, because it feels that a guy with such a desperate reputation as Tobias Tweeney's is bound to make wrongdoers keep away from Erasmus if he is an officer of the law, and Tobias's first official act is to chase Joe Trivett out of town.

СЛОВАРИК

entries for the next day список участников скачек или бегов

a tough day at the track здесь неудачный день на скачках (с большим проигрышем)

a dime's worth of liver здесь совсем тощий (дословно: весом не более куска печени на десять центов)

to cry something out of a lamppost здесь бесполезно (дословно: выплакать у фонарного столба

pally здесь приятель, паренёк

more than somewhat здесь очень сильно, интенсивно

daffy здесь сумасшедший, безумный

snoot нос

nine to nought здесь девять к нулю

underworld здесь мир гангстеров

a tough joint здесь место, где собираются гангстеры

to steer a little trade his way здесь направить человека с деньгами в его бар

a quiet gander здесь осторожно смотрит через «глазок»

Someone must tip him off здесь кто–то ему «стуканул»; кто–то слил ему информацию

villain злодей

gendarmes здесь полицейские

ВОПРОСЫ И ЗАДАНИЯ

How does the story begin?

What was interesting about Tobias?

What was Tobias’ story?

Where did the story teller and Tobias go?

What happened at that place?

How does the story end?

Butch Mind the Baby

(5571 words)

One evening about seven o'clock I am sitting in Mindy's restaurant putting on the gefillte fish, which is a dish I am very fond of, when in come three parties from Brooklyn wearing caps as follows: Harry the Horse, Little Isadore and Spanish John.

Now these parties are not such parties as I will care to have much truck with, because I often hear rumors about them that are very discreditable, even if the rumors are not true. In fact, I hear that many citizens of Brooklyn will be very glad indeed to see Harry the Horse, Little Isadore and Spanish John move away from there, as they are always doing something that is considered a knock to the community, such as robbing people, or maybe shooting or stabbing them, and throwing pineapples, and carrying on generally.

I am really much surprised to see these parties on Broadway, as it is well known that the Broadway coppers just naturally love to shove such parties around, but there they are in Mindy's, and there I am, so of course I give them a very large hello, as I never wish to seem inhospitable, even to Brooklyn parties. Right away they come over to my table and sit down, and Little Isadore reaches out and spears himself a big hunk of my gefillte fish with his fingers, but I overlook this, as I am using the only knife on the table.

Then they all sit there looking at me without saying anything, and the way they look at me makes me very nervous indeed. Finally I figure that maybe they are a little embarrassed being in a high–class spot such as Mindy's, with legitimate people around and about, so I say to them, very polite:

"It is a nice night."

"What is nice about it?" asks Harry the Horse, who is a thin man with a sharp face and sharp eyes.

Well, now that it is put up to me in this way, I can see there is nothing so nice about the night, at that, so I try to think of something else jolly to say, while Little Isadore keeps spearing at my gefillte fish with his fingers, and Spanish John nabs one of my potatoes.

"Where does Big Butch live?" Harry the Horse asks.

"Big Butch?" I say, as if I never hear the name before in my life, because in this man's town it is never a good idea to answer any question without thinking it over, as some time you may give the right answer to the wrong guy, or the wrong answer to the right guy. "Where does Big Butch live?" I ask them again.

"Yes, where does he live?" Harry the Horse says, very impatient. "We wish you to take us to him."

"Now wait a minute, Harry," I say, and I am now more nervous than somewhat. "I am not sure I remember the exact house Big Butch lives in, and furthermore I am not sure Big Butch will care to have me bringing people to see him, especially three at a time, and especially from Brooklyn. You know Big Butch has a very bad disposition, and there is no telling what he may say to me if he does not like the idea of me taking you to him."

"Everything is very kosher," Harry the Horse says. "You need not be afraid of anything whatever. We have a business proposition for Big Butch. It means a nice score for him, so you take us to him at once, or the chances are I will have to put the arm on somebody around here."

Well, as the only one around there for him to put the arm on at this time seems to be me, I can see where it will be good policy for me to take these parties to Big Butch especially as the last of my gefillte fish is just going down Little Isadore's gullet, and Spanish John is finishing up my potatoes, and is donking a piece of rye bread in my coffee, so there is nothing more for me to eat.

So I lead them over into West Forty–ninth Street, near Tenth Avenue, where Big Butch lives on the ground floor of an old brown–stone–front house, and who is sitting out on the stoop but Big Butch himself. In fact, everybody in the neighborhood is sitting out on the front stoops over there, including women and children, because sitting out on the front stoops is quite a custom in this section.

Big Butch is peeled down to his undershirt and pants, and he has no shoes on his feet, as Big Butch is a guy who loves his comfort. Furthermore, he is smoking a cigar, and laid out on the stoop beside him on a blanket is a little baby with not much clothes on. This baby seems to be asleep, and every now and then Big Butch fans it with a folded newspaper to shoo away the mosquitoes that wish to nibble on the baby. These mosquitoes come across the river from the Jersey side on hot nights and they seem to be very fond of babies.

"Hello, Butch," I say, as we stop in front of the stoop.

"Sh–h–h–h!" Butch says, pointing at the baby, and making more noise with his shush than an engine blowing off steam. Then he gets up and tiptoes down to the sidewalk where we are standing, and I am hoping that Butch feels all right, because when Butch does not feel so good he is apt to be very short with one and all. He is a guy of maybe six foot two and a couple of feet wide, and he has big hairy hands and a mean look.

In fact, Big Butch is known all over this man's town as a guy you must not monkey with in any respect, so it takes plenty of weight off me when I see that he seems to know the parties from Brooklyn, and nods at them very friendly, especially at Harry the Horse. And right away Harry states a most surprising proposition to Big Butch.

It seems that there is a big coal company which has an office in an old building down in West Eighteenth Street, and in this office is a safe, and in this safe is the company payroll of twenty thousand dollars cash money. Harry the Horse knows the money is there because a personal friend of his who is the paymaster for the company puts it there late this very afternoon.

It seems that the paymaster enters into a dicker with Harry the Horse and Little Isadore and Spanish John for them to slug him while he is carrying the payroll from the bank to the office in the afternoon, but something happens that they miss connections on the exact spot, so the paymaster has to carry the sugar on to the office without being slugged, and there it is now in two fat bundles.

Personally it seems to me as I listen to Harry's story that the paymaster must be a very dishonest character to be making deals to hold still while he is being slugged and the company's sugar taken away from him, but of course it is none of my business, so I take no part in the conversation.

Well, it seems that Harry the Horse and Little Isadore and Spanish John wish to get the money out of the safe, but none of them knows anything about opening safes, and while they are standing around over in Brooklyn talking over what is to be done in this emergency Harry suddenly remembers that Big Butch is once in the business of opening safes for a living.

In fact, I hear afterward that Big Butch is considered the best safe–opener east of the Mississippi River in his day, but the law finally takes to sending him to Sing Sing for opening these safes, and after he is in and out of Sing Sing three different times for opening safes Butch gets sick and tired of the place, especially as they pass a law that says if a guy is sent to Sing Sing four times running, he must stay there the rest of his life.